---
product_id: 1153709
title: "Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black)"
brand: "rokinon"
price: "2127.71 DT"
currency: TND
in_stock: true
reviews_count: 13
category: "Rokinon"
url: https://www.desertcart.tn/products/1153709-rokinon-fe14m-c-14mm-f2-8-ultra-wide-lens-canon
store_origin: TN
region: Tunisia
---

# f/2.8 aperture for low-light 115.7° ultra-wide angle 14 elements in 10 groups optical design Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black)

**Brand:** rokinon
**Price:** 2127.71 DT
**Availability:** ✅ In Stock

## Summary

> 📸 Own the frame, own the moment with Rokinon's ultra-wide powerhouse!

## Quick Answers

- **What is this?** Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) by rokinon
- **How much does it cost?** 2127.71 DT with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.tn](https://www.desertcart.tn/products/1153709-rokinon-fe14m-c-14mm-f2-8-ultra-wide-lens-canon)

## Best For

- rokinon enthusiasts

## Why This Product

- Trusted rokinon brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built to Endure:** Robust, durable construction weighing just 552g ensures your lens keeps pace with your professional adventures without compromise.
- • **Expand Your Vision:** Capture breathtaking landscapes and immersive real estate shots with a massive 115.7° field of view that puts you ahead of the curve.
- • **Distortion? Handled.:** Advanced aspherical and ED elements minimize aberrations, while built-in coatings reduce flare—plus easy software correction for flawless results.
- • **Master Low-Light Magic:** Shoot confidently in challenging lighting with a fast f/2.8 aperture that unlocks stellar astrophotography and night scenes.
- • **Precision Manual Control:** Take full creative command with smooth, reliable manual focus—perfect for pros who demand sharpness exactly where they want it.

## Overview

The Rokinon FE14M-C 14mm f/2.8 Ultra Wide Lens for Canon EF mount delivers a stunning 115.7° angle of view with a premium 14-element, 10-group optical design. Engineered for sharpness and clarity across the frame, it excels in low-light conditions thanks to its fast f/2.8 aperture. Built tough yet lightweight at 552g, this fully manual focus lens is ideal for landscape, astrophotography, and real estate professionals seeking expansive perspectives and precise control without breaking the bank.

## Description

The Rokinon 14mm Ultra-Wide-Angle f/2.8 lens is designed to provide a dramatic 115.7° view on full frame cameras.and is perfect for astrophotography, landscapes and real estate imagery.It also works well with DSLR and Mirrorless cameras to provide approximately an angle of view of 94° with APS-C cameras, 90° with Canon APS-C cameras and 76° with Micro 4/3 camerasThe advanced 14 element 10 group design focuses to a close 11" (0.28mm) to produce sharply defined images with a minimum of distortion and chromatic aberrations.It utilizes 2 ED elements, 1 Hybrid Aspherical element, 3 High Refractive Index elements, and one glass Aspherical element, for outstanding, sharply defined rectilinear images.This ultra-wide-angle Rokinon utilizes Ultra Multi Coating to reduce flare and ghost images, Includes a built-in petal-type lens hood and comes in mounts for: Canon EF, Nikon F, Sony E, MFT, Sony A, Pentax K and Fuji X.

Review: Much love for this little lens. - Okay look, this lens isn't quite the walk-on-water miracle that many people are making it out to be. However, it is a fantastic little lens that can make a great addition to your kit if you know how to use it. It could also be a dust-collecting monument to buyer's remorse. That's up to you. Using the lens to its fullest capability can be hard. I'm saying that not as a professional photographer, but as an amateur photographer that has had one SLR or another in his hands since 1992. So I've got the experience under my belt, just not the paid gigs. Or some might say, the talent. Still though, I know my way around a camera. And this lens still took me a while to get used to. Especially hard is any type of focus at or around f/2.8, given the all-manual nature of the lens. Live View, even at 10x magnification, on the 5D Mark III sometimes does not provide enough zoom to accurately gauge focus (luckily, it does help when the subject is close to the camera - a situation that is likely if you're shooting at f/2.8). And besides, I'm not a big fan of Live View anyway because it messes up your flow by pulling your eye away from the viewfinder, making you press buttons to zoom, etc. By then the moment may have passed. Where it really shines is in that f/5.6 to f/8 sweet spot, where you can dial in to the hyperfocal distance and just go nuts. I put a chart up a while back that shows for any given aperture, where to set the focus to reach the hyperfocal point, and what the minimum focus distance is at that point (for full-frame and for 1.6x crops). Googling the phrase "Jitterypixel Rokinon" should get you there. Once your aperture and focus is dialed in based on that chart, it will tell you how far away your subjects need to be. For this reason, hyperfocal shooting is a bit backwards from normal lens operation: instead of aiming at a subject and attempting to focus on it, you're setting the focus and then framing the subject accordingly. Until you get accustomed to operating like this, you may find that you have a lot of stuff that looks slightly out of focus when viewed at 100% on your computer, especially if you don't have much experience with fully manual lenses. It can take some practice. Corner sharpness (in full-frame) is not as unbelievably insanely amazing as some have touted, but it is definitely workable. Honestly, the distortion is so bad by the time you hit the corners, sharpness is the last thing you're thinking about. You're thinking that the old lady you accidentally caught in the corner of the frame is melting into the sidewalk. Center sharpness is pretty great, and the lens responds well to the judicious use of sharpening in post. Most of the distortion can be corrected (at the cost of a few pixels around the outer edges) for free using the lens profile available for both ACR and Lightroom (the page that I mentioned above also includes info for how to get that profile, and a couple of before-after photos). Gloss-over stuff that I won't spend too much time on because hundreds of reviews before me have already gone into great detail: The build quality seems excellent, especially considering the price point. The focus is smooth and well-damped, and you won't be able to use a screw-on filter because of the lens shape and the fact that it would have to be HUGE in order to not get in the way of the ridiculously wide angle of view. The solid lens cap attaches to the permanent petal hood, and protects the glass very well. Final word of caution: Do not under any circumstances position any female (ESPECIALLY wife or girlfriend) around the outside portion of the frame when shooting. Doing so will likely jeopardize your permission to ever photograph said female again in the future. Ever.
Review: Great Bang for Your Buck - First off, let me state that I am not a "professional" in that I do not perform photography for my career. I suppose you could say I fall into that (seemingly) ever-growing "prosumer" market point. I love to have nice, quality items, but at the same time I do not like to break the bank. I have always (and always will be) a very money conscious person that always looks to get the most for what money I am willing to spend. This lens by 14mm Rokinon (Samyang) is a great value when it comes to the always important image quality to cost ratio. The sharpness and performance of this lens is great, and I am thoroughly impressed. Comparing this lens to my Canon 24-105L (which is roughly 2.5x the cost) as far as sharpness, clarity, and color reproduction is outstanding. The sharpness especially is just as good if not better than the Canon. . .but obviously all of this comes at a cost. What cost is that, you may ask? The cost of luxury. . .pure, plain, and simple. This lens does not have any auto-focus, any image stabilization, any electronics period. Now to someone like myself who thrives on the technical aspects of most anything out there (engineer for a reason I guess, haha), this lens answers a call of the minimalistic nature - one where you have to take the time and think about what you are shooting with respect the environment (lighting conditions, subject matter, etc) you find yourself in. If you do take your time, are willing to work through a fully manual lens to match your shooting environment, you will be fully rewarded with your results from this wonderful lens. A point of note, and something that I took into account and kept in the back of my mind before purchasing this lens. . .there is apparently somewhat of a quality issue with improperly focused (de-centered) lenses, i.e. soft focus on one side or the other of the lens. I will admit that my copy is ever so slightly (and I do mean a very small amount) softer on the bottom right of the frame. Is it enough for me to notice? Not really. . .and I am a very analytical individual when it comes to scrutinizing just about anything (especially my pictures). The ever so slight de-centering was only noticed when testing specially for this. In real world testing, the de-centering is non-existent. Overall though, just something to keep in mind. Also, this lens does have some distortion - all of which can be fixed very simply with a program/plugin such as PTLens or other various lens profiles floating around out there on the internet for programs such as Lightroom or Photoshop. Summary? I don't think you can get a better lens in the $400 or below range. If you are wanting a lens for a walk around/point and shoot type, well this is obviously not your choice. If you like to shoot landscapes, or put emphasis on a subject with a larger background in view, well then this lens is definitely worth a look. On a scale of 1-10 I would give this lens about a 9/10. The one knock to me is the lack of ability to use a standard filter (i.e. circular polarized filter for landscapes). I will definitely keep other Rokinon (Samyang) products in mind on (seemingly inevitable) future lens purchases! Side Notes: I am shooting with this lens on a crop sensor, not full frame. & Look for my images watermarked "Down Scope Photography" in the sample photos for examples. *Edit* After viewing lens on full frame body, more de-centering is evident in lens (not noticed really on my crop sensor body). Just re-ordered a new copy to come while I send this one back. If I wasn't so particular, it would not be an issue. I still leave this lens at 5 stars for the moment, pending on how the new lens looks.

## Features

- SUPERIOR IMAGE QUALITY - Experience exceptional sharpness and clarity with 14 elements in 10 groups, designed to deliver stunningly detailed images across the entire frame, perfect for landscapes and astrophotography.
- ULTRA-WIDE PERSPECTIVE - Capture expansive scenes with the 14mm focal length, offering a remarkable 115.7° angle of view, ideal for real estate photography and immersive landscape shots on your Canon EF mount.
- OPTIMIZED LOW-LIGHT PERFORMANCE - The fast f/2.8 maximum aperture allows for excellent performance in low-light conditions, enabling you to capture bright and clear images even in challenging environments.
- ROBUST AND RELIABLE BUILD - Constructed with a durable design, this lens weighs 31.7oz (900g) and measures 6.0 x 3.5 x 3.7", ensuring reliability and longevity for professional use in various conditions.
- PRECISION MANUAL FOCUS - Achieve precise focus control with the manual focus feature, allowing you to fine-tune your shots for optimal sharpness and creative effects, with a closest focus distance of 10.8".
- ENHANCED OPTICAL DESIGN - Features aspherical lens elements to minimize distortion and aberrations, ensuring high image quality with accurate color rendition and sharpness from edge to edge for professional results.
- Lens includes a built-in petal-type lens hood
- No further features available.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B003VSGQPG |
| Best Sellers Rank | #186 in SLR Camera Lenses |
| Brand | Rokinon |
| Built-In Media | 14mm f/2.8 Ultrawide-Angle Lens for Canon DSLR |
| Camera Lens | Canon EF Mount |
| Camera Lens Description | Canon EF Mount |
| Color | Black |
| Compatible Camera Mount | Canon EF |
| Compatible Mountings | Canon EF |
| Customer Reviews | 4.4 out of 5 stars 1,368 Reviews |
| Exposure Control Type | Manual |
| Focal Length Description | 14mm |
| Focus Type | Manual Focus |
| Global Trade Identification Number | 00084438158564 |
| Image stabilization | No image stabilization |
| Item Highlight | Premium optical design delivers sharp image quality and reliable performance for photography and video. |
| Item Weight | 552 g |
| Lens | Ultra-Wide Angle |
| Lens Coating Description | Ultra-Wide Angle |
| Lens Design | Prime |
| Lens Fixed Focal Length | 14 millimeters |
| Lens Mount | Canon EF |
| Lens Type | Ultra-Wide Angle |
| Manufacturer | Rokinon |
| Manufacturer Part Number | FE14M-C |
| Maximum Focal Length | 14 millimeters |
| Media Type | ProductImage |
| Minimum Focal Length | 14 millimeters |
| Model Name | 134345789 |
| Model Number | 134345789 |
| Number of Diaphragm Blades | 6 |
| Number of Items | 1 |
| Number of Packs | 1 |
| Real Angle Of View | 115.7 degrees |
| Screen Size | 8.7 centimeters |
| UPC | 084438158564 |
| Unit Count | 1 Count |
| Warranty Description | One Year Limited Manufacturer Warranty |
| Water Resistance Level | Not Water Resistant |

## Product Details

- **Brand:** Rokinon
- **Camera Lens Description:** Canon EF Mount
- **Compatible Mountings:** Canon EF
- **Focal Length Description:** 14mm
- **Lens Type:** Ultra-Wide Angle

## Images

![Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Image 1](https://m.media-amazon.com/images/I/619xvldNhIL.jpg)
![Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Image 2](https://m.media-amazon.com/images/I/71vnNMGu30L.jpg)
![Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Image 3](https://m.media-amazon.com/images/I/81cEECmLlvL.jpg)
![Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Image 4](https://m.media-amazon.com/images/I/719zZuN0yVL.jpg)
![Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Image 5](https://m.media-amazon.com/images/I/715GbmKPA8L.jpg)

## Available Options

This product comes in different **Customer Package Type, Style** options.

## Questions & Answers

**Q: Would this lens be great for night star shots? It focuses to infinity correct?**
A: I just got this lens for astrophotography and decided to see if I could find where it focuses the sharpest when capturing stars. I took a series of shots with the focus set as far into infinity as it could go, then I backed it off about 1mm for each shot (at ~30 seconds shutter speed) while the focus ring was inside the infinity line. After reviewing the shots in Lightroom, I honestly can't see much of a difference in sharpness between the shots. The scene included a well lit object about 1 mile away and a generous portion of the Milky Way as well as Sirius and Canopus, and even zoomed in all the way, the stars and the lit object have about the same amount of sharpness through the series of images. I plan on duplicating this setup but at a shorter shutter speed to see if I can spot a difference, but so far it seems sharp in the whole "infinity" range. This blows my Canon 28mm f/1.8 out of the water completely for astrophotography (at a savings of ~$200). The Canon is fairly useless over f/2.8 anyway because you get a ton of coma around the edges of the image, so the wider aperture doesn't help. The Rokinon has no noticeable coma at the edges at f/2.8 either.

**Q: I am very interested in this lens, will it fit my Canon Rebel T3?**
A: Sure it will fit the Rebel T3 - keep in mind that this is a manual focus lens, but a very sharp lens

**Q: Is this lens good for star photography?**
A: Yes! It’s manual focus so I suggest using your led screen and led zoom function to get sharp focus of a star or planet. Screen mode or whatever it might be called on your camera. I’ve had good results and astrophotography is what I bought this lens for specifically.

**Q: I have a Canon 5d Mark ii. will this mount on my canon 5d Mark ii?**
A: Yes it will, fits perfect on my Mark iii.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Much love for this little lens.
*by J***F on February 18, 2014*

Okay look, this lens isn't quite the walk-on-water miracle that many people are making it out to be. However, it is a fantastic little lens that can make a great addition to your kit if you know how to use it. It could also be a dust-collecting monument to buyer's remorse. That's up to you. Using the lens to its fullest capability can be hard. I'm saying that not as a professional photographer, but as an amateur photographer that has had one SLR or another in his hands since 1992. So I've got the experience under my belt, just not the paid gigs. Or some might say, the talent. Still though, I know my way around a camera. And this lens still took me a while to get used to. Especially hard is any type of focus at or around f/2.8, given the all-manual nature of the lens. Live View, even at 10x magnification, on the 5D Mark III sometimes does not provide enough zoom to accurately gauge focus (luckily, it does help when the subject is close to the camera - a situation that is likely if you're shooting at f/2.8). And besides, I'm not a big fan of Live View anyway because it messes up your flow by pulling your eye away from the viewfinder, making you press buttons to zoom, etc. By then the moment may have passed. Where it really shines is in that f/5.6 to f/8 sweet spot, where you can dial in to the hyperfocal distance and just go nuts. I put a chart up a while back that shows for any given aperture, where to set the focus to reach the hyperfocal point, and what the minimum focus distance is at that point (for full-frame and for 1.6x crops). Googling the phrase "Jitterypixel Rokinon" should get you there. Once your aperture and focus is dialed in based on that chart, it will tell you how far away your subjects need to be. For this reason, hyperfocal shooting is a bit backwards from normal lens operation: instead of aiming at a subject and attempting to focus on it, you're setting the focus and then framing the subject accordingly. Until you get accustomed to operating like this, you may find that you have a lot of stuff that looks slightly out of focus when viewed at 100% on your computer, especially if you don't have much experience with fully manual lenses. It can take some practice. Corner sharpness (in full-frame) is not as unbelievably insanely amazing as some have touted, but it is definitely workable. Honestly, the distortion is so bad by the time you hit the corners, sharpness is the last thing you're thinking about. You're thinking that the old lady you accidentally caught in the corner of the frame is melting into the sidewalk. Center sharpness is pretty great, and the lens responds well to the judicious use of sharpening in post. Most of the distortion can be corrected (at the cost of a few pixels around the outer edges) for free using the lens profile available for both ACR and Lightroom (the page that I mentioned above also includes info for how to get that profile, and a couple of before-after photos). Gloss-over stuff that I won't spend too much time on because hundreds of reviews before me have already gone into great detail: The build quality seems excellent, especially considering the price point. The focus is smooth and well-damped, and you won't be able to use a screw-on filter because of the lens shape and the fact that it would have to be HUGE in order to not get in the way of the ridiculously wide angle of view. The solid lens cap attaches to the permanent petal hood, and protects the glass very well. Final word of caution: Do not under any circumstances position any female (ESPECIALLY wife or girlfriend) around the outside portion of the frame when shooting. Doing so will likely jeopardize your permission to ever photograph said female again in the future. Ever.

### ⭐⭐⭐⭐⭐ Great Bang for Your Buck
*by P***I on June 4, 2012*

First off, let me state that I am not a "professional" in that I do not perform photography for my career. I suppose you could say I fall into that (seemingly) ever-growing "prosumer" market point. I love to have nice, quality items, but at the same time I do not like to break the bank. I have always (and always will be) a very money conscious person that always looks to get the most for what money I am willing to spend. This lens by 14mm Rokinon (Samyang) is a great value when it comes to the always important image quality to cost ratio. The sharpness and performance of this lens is great, and I am thoroughly impressed. Comparing this lens to my Canon 24-105L (which is roughly 2.5x the cost) as far as sharpness, clarity, and color reproduction is outstanding. The sharpness especially is just as good if not better than the Canon. . .but obviously all of this comes at a cost. What cost is that, you may ask? The cost of luxury. . .pure, plain, and simple. This lens does not have any auto-focus, any image stabilization, any electronics period. Now to someone like myself who thrives on the technical aspects of most anything out there (engineer for a reason I guess, haha), this lens answers a call of the minimalistic nature - one where you have to take the time and think about what you are shooting with respect the environment (lighting conditions, subject matter, etc) you find yourself in. If you do take your time, are willing to work through a fully manual lens to match your shooting environment, you will be fully rewarded with your results from this wonderful lens. A point of note, and something that I took into account and kept in the back of my mind before purchasing this lens. . .there is apparently somewhat of a quality issue with improperly focused (de-centered) lenses, i.e. soft focus on one side or the other of the lens. I will admit that my copy is ever so slightly (and I do mean a very small amount) softer on the bottom right of the frame. Is it enough for me to notice? Not really. . .and I am a very analytical individual when it comes to scrutinizing just about anything (especially my pictures). The ever so slight de-centering was only noticed when testing specially for this. In real world testing, the de-centering is non-existent. Overall though, just something to keep in mind. Also, this lens does have some distortion - all of which can be fixed very simply with a program/plugin such as PTLens or other various lens profiles floating around out there on the internet for programs such as Lightroom or Photoshop. Summary? I don't think you can get a better lens in the $400 or below range. If you are wanting a lens for a walk around/point and shoot type, well this is obviously not your choice. If you like to shoot landscapes, or put emphasis on a subject with a larger background in view, well then this lens is definitely worth a look. On a scale of 1-10 I would give this lens about a 9/10. The one knock to me is the lack of ability to use a standard filter (i.e. circular polarized filter for landscapes). I will definitely keep other Rokinon (Samyang) products in mind on (seemingly inevitable) future lens purchases! Side Notes: I am shooting with this lens on a crop sensor, not full frame. & Look for my images watermarked "Down Scope Photography" in the sample photos for examples. *Edit* After viewing lens on full frame body, more de-centering is evident in lens (not noticed really on my crop sensor body). Just re-ordered a new copy to come while I send this one back. If I wasn't so particular, it would not be an issue. I still leave this lens at 5 stars for the moment, pending on how the new lens looks.

### ⭐⭐⭐⭐⭐ Just get it — seriously
*by J***E on July 30, 2013*

A couple months ago, I picked up the Canon 6D. I love wide-angle photography and I'd always wanted a full-frame DSLR, but until recently they'd been priced well outside my budget. I understand the importance of good glass, and in the past I've stuck almost exclusively with Canon L lenses, seeing it as an investment as much as anything — and considering I got almost 100% of my costs when I sold all of my photography gear a few years ago, I was right. Now that I'm rebuilding my gear set, I'm trying to be pretty methodical. I just don't have the money to be frivolous. With the 6D, I got the Canon 24-105mm f/4L IS, which is a great middle-of-the-road range. Recently, I added the Canon 70-300mm f/4-5.6L IS to cover the telephoto end of things. That leaves the wide angle, and I'm happy I chose the Rokinon 14mm f/2.8 for it. I was initially VERY hesitant to purchase this lens, due to the fact that it's entirely manual. No autofocus, no automatic aperture. I'd never used a manual focus lens before, and I was worried that I'd either end up with consistently out-of-focus shots... or I'd be so turned off by the hassle of manual focus, that I'd never use it. The truth is, at 14mm, focus is extremely forgiving. Sure, I could switch to live view, zoom into 10x and focus like that, but I've discovered that I'm able to eyeball it through the optical viewfinder and achieve perfect focus for landscapes pretty much every time. Focusing on something very close would require more precision, but the infinity point is reasonably close at 14mm, so it's tough to be truly out of focus. So, once my fears about manual focus were allayed, I was able to (ahem) focus on image quality. It's impressive. Center is absolutely razor shop, and the corners are as sharp as my 24-105L is in the center (and that's still really freaking good). Impressive, especially for full frame. There's pretty significant distortion in the corners, some vignetting as has been mentioned in other reviews, and I see a bit of chromatic aberration in the corners... but it's all easily correctable in post processing. I really can't speak highly enough for this lens. I would say "especially at this price," but I think it's great quality, regardless of price. Canon's 14mm offering is over six times the price and, sure, you get autofocus, but ultimately, image quality is paramount. I'm sure the Canon is a fine lens, but I'm skeptical that the resulting images are six times better.

## Frequently Bought Together

- Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black)
- SanDisk 128GB Extreme PRO SDXC UHS-I Memory Card - C10, U3, V30, 4K UHD, SD Card - SDSDXXD-128G-GN4IN
- Canon EF 50mm f/1.8 STM Lens

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*Last updated: 2026-09-25*