--- product_id: 18301793 title: "Confessions on a Dance Floor" price: "389.13 DT" currency: TND in_stock: true reviews_count: 13 url: https://www.desertcart.tn/products/18301793-confessions-on-a-dance-floor store_origin: TN region: Tunisia --- # Confessions on a Dance Floor **Price:** 389.13 DT **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Confessions on a Dance Floor - **How much does it cost?** 389.13 DT with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.tn](https://www.desertcart.tn/products/18301793-confessions-on-a-dance-floor) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description European 'Pink' vinyl pressing of the 2005 album from the Queen of Pop with Stuart Price, Blood shy & Avant and Mirwais on production duties and includes the single 'Hung Up' which sees a sampling of the classic ABBA hit 'Gimme Gimme Gimme'. 12 total tracks. Maverick. 2006. Review: Great CD. Maybe the best she's done - If you love Madonna & Love to dance. Absolutely great!! Review: Second only to "Like A Prayer" - Madonna's Confessions on a Dance Floor is a welcome return to what she does best--making shameless dance pop! I'm not going to review every song here, but will cover a few highlights. First a word about INSTRUMENTATION: Overall, the album has a full, almost orchestral quality. Basslines are deep, growling and pulsating. Live- and synth-strings accent Madonna's vocals, and while this is an electronic album overall, it sounds and feels very organic. Others have likened it to "Producing a Phil Spector `Wall of Sound'-style album for the dance floor"--and I agree! The much talked-about CONTINUOUS MIX of the album is done extremely well. It's not the `128 beats of unremarkable overlap between each song' that one typically hears on DJ-mix CDs. It is a more traditional, symphonic style of segueing between songs. In some cases, the songs are simply butted together and sound seamless because they share a consistent tempo and instrumentation. In other cases, a final melody from one song will carry into the next, subtly fading away during the first verse. The effect is almost unnoticeable during a casual listen, but music aficionados will find themselves listening to these transitions over and over, picking up new details on which instruments are from the previous track, and which are from the next. It's an elegant and amazing effect. Now, for the songs: Rumor has it WB is considering five singles. I'm sure you know "Hung Up" by now, so let's skip to other likely candidates. JUMP - Easily the best song on the album, and far better than Hung Up. Likely to be single #3. Madonna's vocal delivery is somewhere between "Keep it Together" and "Rescue Me", and she sells the song beautifully. It also has an incredible string obbligato part similar to the one in "Causing a Commotion." At about 120 BPM the rhythm is reminiscent of Information Society, and the tempo is excellent for dance pop. Expect great remixes in the 128-130 range on this one (Hello WB? Ralphi Rosario please!) SORRY - Rumored to be single #2. A great song which, following the more straightforward Hung Up and Get Together, has a frantic pace in comparison. Reminiscient of her "Till Death Do Us Part," but without the unhappy subject matter. This one is all fun, energy, and sass. HOW HIGH - Has that slight postpunk/pop rhythm, similar to Kylie Minogue's "Come into My World." One of the few truly introspective songs on the album, but despite being in a minor (or diminished, I can't quite tell) key, it is not the least bit depressing. It comes across as defiant. Not the sure-bet that Jump and Sorry are, but in an edited length it can be a radio hit. FUTURE LOVERS - Recreates the bubbling, pulsating bassline from Donna Summer's "I Feel Love," however here, Stuart Price deepens the bass and adds a heavier bass drum. The spoken parts of the vocal are similar to Kylie Minogue's "Light Years", but the choral vocal is much more immediate. A great song as is for clubs, but could also be a radio hit if it were tightened up a bit. PUSH - This one feels more urban than the rest of the album because of Madonna's staccato vocal delivery. It's sassy and quite catchy. With at least six single-worthy songs and others that have great club rhythms, I recommend this album to any dance or pop music fans. The continuous mix makes skipping songs unnecessary (there are at most two skip-worthy songs on the album), and appreciators of good music production should love how well this continuous effect was done. ## Technical Specifications | Specification | Value | |---------------|-------| | ASIN | B000BRBGO6 | | Best Sellers Rank | #7,081 in CDs & Vinyl ( See Top 100 in CDs & Vinyl ) #171 in Dance Pop (CDs & Vinyl) #178 in Adult Contemporary (CDs & Vinyl) #213 in Dance & Electronic (CDs & Vinyl) | | Customer Reviews | 4.8 4.8 out of 5 stars (3,141) | | Date First Available | January 31, 2007 | | Is Discontinued By Manufacturer | No | | Item model number | 9362-49460-1 | | Label | Wea Int'L | | Language | English | | Manufacturer | Wea Int'L | | Number of discs | 1 | | Original Release Date | 2008 | | Product Dimensions | 12.32 x 12.36 x 0.31 inches; 8.32 ounces | | SPARS Code | DDD | ## Images ![Confessions on a Dance Floor - Image 1](https://m.media-amazon.com/images/I/61Y8l+H8+WL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ Great CD. Maybe the best she's done *by S***A on April 29, 2026* If you love Madonna & Love to dance. Absolutely great!! ### ⭐⭐⭐⭐⭐ Second only to "Like A Prayer" *by T***A on November 23, 2005* Madonna's Confessions on a Dance Floor is a welcome return to what she does best--making shameless dance pop! I'm not going to review every song here, but will cover a few highlights. First a word about INSTRUMENTATION: Overall, the album has a full, almost orchestral quality. Basslines are deep, growling and pulsating. Live- and synth-strings accent Madonna's vocals, and while this is an electronic album overall, it sounds and feels very organic. Others have likened it to "Producing a Phil Spector `Wall of Sound'-style album for the dance floor"--and I agree! The much talked-about CONTINUOUS MIX of the album is done extremely well. It's not the `128 beats of unremarkable overlap between each song' that one typically hears on DJ-mix CDs. It is a more traditional, symphonic style of segueing between songs. In some cases, the songs are simply butted together and sound seamless because they share a consistent tempo and instrumentation. In other cases, a final melody from one song will carry into the next, subtly fading away during the first verse. The effect is almost unnoticeable during a casual listen, but music aficionados will find themselves listening to these transitions over and over, picking up new details on which instruments are from the previous track, and which are from the next. It's an elegant and amazing effect. Now, for the songs: Rumor has it WB is considering five singles. I'm sure you know "Hung Up" by now, so let's skip to other likely candidates. JUMP - Easily the best song on the album, and far better than Hung Up. Likely to be single #3. Madonna's vocal delivery is somewhere between "Keep it Together" and "Rescue Me", and she sells the song beautifully. It also has an incredible string obbligato part similar to the one in "Causing a Commotion." At about 120 BPM the rhythm is reminiscent of Information Society, and the tempo is excellent for dance pop. Expect great remixes in the 128-130 range on this one (Hello WB? Ralphi Rosario please!) SORRY - Rumored to be single #2. A great song which, following the more straightforward Hung Up and Get Together, has a frantic pace in comparison. Reminiscient of her "Till Death Do Us Part," but without the unhappy subject matter. This one is all fun, energy, and sass. HOW HIGH - Has that slight postpunk/pop rhythm, similar to Kylie Minogue's "Come into My World." One of the few truly introspective songs on the album, but despite being in a minor (or diminished, I can't quite tell) key, it is not the least bit depressing. It comes across as defiant. Not the sure-bet that Jump and Sorry are, but in an edited length it can be a radio hit. FUTURE LOVERS - Recreates the bubbling, pulsating bassline from Donna Summer's "I Feel Love," however here, Stuart Price deepens the bass and adds a heavier bass drum. The spoken parts of the vocal are similar to Kylie Minogue's "Light Years", but the choral vocal is much more immediate. A great song as is for clubs, but could also be a radio hit if it were tightened up a bit. PUSH - This one feels more urban than the rest of the album because of Madonna's staccato vocal delivery. It's sassy and quite catchy. With at least six single-worthy songs and others that have great club rhythms, I recommend this album to any dance or pop music fans. The continuous mix makes skipping songs unnecessary (there are at most two skip-worthy songs on the album), and appreciators of good music production should love how well this continuous effect was done. ### ⭐⭐⭐⭐⭐ Queen of pop is an understatement *by R***A on May 16, 2026* This album has made me a fan it's is amazing!!! ## Frequently Bought Together - Confessions on a Dance Floor - Ray of Light - Bedtime Stories --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.tn/products/18301793-confessions-on-a-dance-floor](https://www.desertcart.tn/products/18301793-confessions-on-a-dance-floor) --- *Product available on Desertcart Tunisia* *Store origin: TN* *Last updated: 2026-07-09*