--- product_id: 25597821 title: "Children of Heracles. Hippolytus. Andromache. Hecuba" price: "217.95 DT" currency: TND in_stock: true reviews_count: 8 url: https://www.desertcart.tn/products/25597821-children-of-heracles-hippolytus-andromache-hecuba store_origin: TN region: Tunisia --- # 4.6/5 star rating from 18 readers 4 classic Greek tragedies in one volume Side-by-side Greek & English text Children of Heracles. Hippolytus. Andromache. Hecuba **Price:** 217.95 DT **Availability:** ✅ In Stock ## Summary > 📖 Unlock ancient drama’s secrets—own a piece of timeless storytelling! ## Quick Answers - **What is this?** Children of Heracles. Hippolytus. Andromache. Hecuba - **How much does it cost?** 217.95 DT with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.tn](https://www.desertcart.tn/products/25597821-children-of-heracles-hippolytus-andromache-hecuba) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Key Features - • **Bilingual Brilliance:** Experience the original Greek text alongside a modern, clear English translation by David Kovacs. - • **Critically Acclaimed:** Highly rated by readers who appreciate authentic, unembellished translations. - • **Collector’s Condition:** Used but well-preserved—perfect for serious readers and classical literature enthusiasts. - • **Intellectual Depth & Drama:** Explore themes of fate, patriotism, and divine duality that resonate across millennia. - • **Timeless Classics, One Volume:** Dive into four masterful Euripides plays that shaped ancient drama. ## Overview This used edition features four of Euripides’ most compelling tragedies—Children of Heracles, Hippolytus, Andromache, and Hecuba—presented in a dual-language format that preserves the original Greek alongside a modern English translation. Praised for its intellectual depth and emotional power, this volume offers a rare glimpse into ancient Greek culture, fate, and mythology, making it a must-have for classical literature aficionados and professionals seeking cultural enrichment. ## Description Four plays by ancient Greece’s third great tragedian. One of antiquity’s greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. The new Loeb Classical Library edition of his plays is in six volumes. Volume II contains Children of Heracles , about Athens’ protection of the dead hero’s children; Hippolytus , which tells of the punishment Aphrodite inflicts on a man who refuses to worship her; Andromache and Hecuba , the tragic stories of two noble Trojan women after their city’s fall. Review: Love the translation. - Just finished reading Children of Heracles from this book. I've read other translations of Greek plays, but David Kovacs translation is the best. He has the Greek side by side with the English, I feel that having the source material is a nice touch. The translation itself is neither encumbered by Victorian English affectation nor does he dumb it down a very nice literal meaning. Children of Heracles isn't the best play, however, it is a great example of some early civilization propaganda. Near the start of the Pelloponnesian war, this play was about how Athens doesn't kill it's prisoners and that it helps the weak. While Athens didn't kill it's prisoners during the war it certainly didn't help the weak it enslaved them. Nevertheless it is quite interesting as this type of patriotism isn't new but it's been around since the beginning of civilization and likely before that. Hypolitus was far more interesting. It was quite interesting how the Greek gods(esp Aphrodite, Eros, Artemis and Poseidon) have a duality in this play. In some ways they act like gods and in others they act like forces of nature. The Greeks had a very interesting way of looking at things where certain events and emotions where a result of fate or the gods and mortals could not do anything about them. They viewed people of integrity as good people and had their own hang ups about sex. They were also quite misogynistic. Review: Loeb Euripides - I'm writing some translations of Greek tragedies, and I wanted to see this version. It came quickly, and in great shape. ## Features - Used Book in Good Condition ## Technical Specifications | Specification | Value | |---------------|-------| | Best Sellers Rank | #967,699 in Books ( See Top 100 in Books ) #376 in Ancient & Classical Dramas & Plays #630 in Ancient & Classical Poetry #822 in Ancient & Classical Literary Criticism (Books) | | Customer Reviews | 4.6 out of 5 stars 18 Reviews | ## Images ![Children of Heracles. Hippolytus. Andromache. Hecuba - Image 1](https://m.media-amazon.com/images/I/61btmR0NbPL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ Love the translation. *by M***L on January 20, 2015* Just finished reading Children of Heracles from this book. I've read other translations of Greek plays, but David Kovacs translation is the best. He has the Greek side by side with the English, I feel that having the source material is a nice touch. The translation itself is neither encumbered by Victorian English affectation nor does he dumb it down a very nice literal meaning. Children of Heracles isn't the best play, however, it is a great example of some early civilization propaganda. Near the start of the Pelloponnesian war, this play was about how Athens doesn't kill it's prisoners and that it helps the weak. While Athens didn't kill it's prisoners during the war it certainly didn't help the weak it enslaved them. Nevertheless it is quite interesting as this type of patriotism isn't new but it's been around since the beginning of civilization and likely before that. Hypolitus was far more interesting. It was quite interesting how the Greek gods(esp Aphrodite, Eros, Artemis and Poseidon) have a duality in this play. In some ways they act like gods and in others they act like forces of nature. The Greeks had a very interesting way of looking at things where certain events and emotions where a result of fate or the gods and mortals could not do anything about them. They viewed people of integrity as good people and had their own hang ups about sex. They were also quite misogynistic. ### ⭐⭐⭐⭐⭐ Loeb Euripides *by L***N on August 11, 2013* I'm writing some translations of Greek tragedies, and I wanted to see this version. It came quickly, and in great shape. ### ⭐⭐⭐⭐⭐ One classic Euripides tragedy and three more of interest *by L***O on October 14, 2005* This volume in the Loeb Classical Library brings together four of the ninteen tragedies by the tragic playwright Euripides that have survived from the 92 plays he was known to have written: "Children of Hercales" (produced 430 B.C.), "Hippolytus" (428 B.C.), "Andromache" (circa 426 B.C.), and "Hecuba" (circa 425 B.C.). Only the second tragedy could be considered a classic, but the other three have their points of interest. "Children of Heracles" ("Heracledidae") has usually been considered a minor political play by Euripides. It tells how the children of Hecules were exiled by from their home by the murderous King Eurystheus of Argos (the one who imposed the famous Twelve Labors on the demi-god) after their father's death. The children and their mother fled from country to country in search of sanctuary until, of course, they came to Athens. At first, the Athenians are reluctant to grant asylum, since Eurystheus might bring political and military strife on the city. But Demophon, King of Athens, agrees to admit them. Indeed, the army of Eurystheus surrounds the city and the oracles declares that the safety of Athens depends on the sacrifice of a virgin. Macaria, one of the daughters of Hercules, offers herself as the sacrificial victim. The play has usually been considered to be nothing more than a glorification of Athens, but, of course, in more contemporary terms it is worth reconsidering this Greek tragedy as a look at the problem of political refugees. "Hippolytus" opens with Aphrodite declaring her power over all mankind and her intention to ruin Hippolytus, the son of Theseus because he alone has had the audacity to scorn love. Instead, the young prince has devoted himself to hunting and Artemis, the chaste goddess of the hunt. As the instrument of Hippolytus' downfall, Aphrodite selects his stepmother Phaedra, by making her fall in love with him. What becomes interesting in Euripides' telling of the tale is how Phaedra resists the will of Aphrodite, having resolved to starve herself to death rather than ever reveal her infatuation. However, Phaedra's secret is revealed and Hippolytus is horrified that his stepmother wants him as her lover. Mortified that her secret is now known, Phaedra hangs herself, but trying to spare the reputation of her children she leaves a note accusing Hippolytus of having tried to rape her. When Theseus returns to find his wife dead at her own hand and his son implicated in her suicide, the king pronounces a deadly curse upon Hippolytus. Ironically, despite the tragic fate that awaits him, Hippolytus is not a sympathetic figure since his devotion to Artemis does not require him to spurn the ways of love and an Athenian audience would not look kindly upon him as a martyr to the idea of chastity. Phaedra becomes the truly tragic character in the tale, who has her dignity taken away from her by a vengeful goddess and a friend with the best of intentions, surely as potent a combination of dangerous characters as you can find in literature. "Andromache," set in the aftermath of the Trojan War and focusing on the widow of Hector, is one of the weakest of the extant plays of Euripides, a work better considered as anti-Spartan propaganda. The scenes are more episodic than we usually find in Euripides with the first part essentially a supplicant play. The play has one of Euripides' strongest beginnings, with its attacks on Sparta, represented by Menelaus. But even as propaganda Euripides elevates his subject for what he sees is not merely a war between two cities, but rather a clash between two completely different ways of life. Andromache, the widow of Hector, is the slave of Neoptolemus, the son of Achilles, who is married to Hermione, the daughter of Menelaus and Helen. Andromache has born Neoptolemus a son, and the barren Hermione accuses the Trojan woman of having used witchcraft and seeks her death. Andromache has taken refuge as this temple where Hermione and Menelaus try to get her to come out by threatening to kill her son. However, the title character disappears from the play and everybody from Peleus, the father of Achilles, to Orestes, the cousin of Hermione, shows up, mainly to talk about Neoptolemus, who is at Delphi. Thetis shows up as the deus-ex-machina and the play ends rather abruptly. As a tragedy there is little her beyond a progression of characters who all talk about doing something they end up not doing and if there is supposed to be a series of object lessons offered by each of these characters, then that idea is pretty much lost on contemporary audiences. In "Hecuba" the queen of fallend Troy has become the slave of Odysseus, who takes away her daughter Polyxena to be slain on the grave of Achilles. However, in this drama it is the earlier death of another child, Polydorus that provides the motivation for what comes to pass. This was a child who had been sent (according to Homer, there are various versions of this tale) for safety to the Thracian Chersonese. But now, after Hecuba hears of the death of Polyxena, the body of Polydorus washes up on shore. Apparently Hecuba's son-in-law Polymnester murdered the boy for the gold, which King Priam had sent to pay for his education. Agamemnon hears Hecuba's pleas, and Polymnester is allowed to visit the queen before she is taken away into captivity. The most fascinating aspect of "Hecuba" is that it gives us an opportunity to contrast the character of the queen of fallen Troy here with that in his more famous work, "The Trojan Women." This play was performed ten years earlier and its events take place right before the other play as well, although there is some overlap when Talthybius informs Hecuba of the death of Polyxena. In both dramas Hecuba is a woman driven by a brutal and remorseless desire for vengeance; however she proves much more successful in this drama than she does in "The Trojan Women." --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.tn/products/25597821-children-of-heracles-hippolytus-andromache-hecuba](https://www.desertcart.tn/products/25597821-children-of-heracles-hippolytus-andromache-hecuba) --- *Product available on Desertcart Tunisia* *Store origin: TN* *Last updated: 2026-10-01*