--- product_id: 29908893 title: "Grandmaster Repertoire 1A" brand: "boris avrukh" price: "253.24 DT" currency: TND in_stock: true reviews_count: 13 url: https://www.desertcart.tn/products/29908893-grandmaster-repertoire-1a store_origin: TN region: Tunisia --- # Grandmaster Repertoire 1A **Brand:** boris avrukh **Price:** 253.24 DT **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Grandmaster Repertoire 1A by boris avrukh - **How much does it cost?** 253.24 DT with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.tn](https://www.desertcart.tn/products/29908893-grandmaster-repertoire-1a) ## Best For - boris avrukh enthusiasts ## Why This Product - Trusted boris avrukh brand quality - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description When Boris Avrukh released the first volume of his 1.d4 repertoire in 2008, it revolutionized chess opening books. As GM Michael Adams said: "The high-quality Grandmaster Repertoire series has taken this format to a completely different level." Or as GM Glenn Flear put it: "This book represents nothing short of a technological advance in chess opening theory." Now Avrukh is back with an expanded, updated and revamped 1.d4 repertoire. Volume 1A deals primarily with the Catalan, which is an Avrukh specialty. In GM Simen Agdestein’s words: "It’s in Avrukh has become a standard comment for those trying to understand this opening." This volume covers the position after the opening moves 1.d4 Nf6 2.c4 e6 3.g3, concentrating on the Catalan which arises after 3...d5, while also dealing with the Bogo-Indian with 3...Bb4†, and Benoni systems after 3...c5. ## Technical Specifications | Specification | Value | |---------------|-------| | Best Sellers Rank | #822 in Chess (Books) | | Dimensions | 6.7 x 0.9 x 9.43 inches | | Isbn 10 | 1907982884 | | Isbn 13 | 978-1907982880 | | Item Weight | 1.59 pounds | | Language | English | | Print Length | 440 pages | | Publication Date | July 7, 2015 | | Publisher | Quality Chess UK Ltd | | Reading Age | 5 years and up | ## Images ![Grandmaster Repertoire 1A - Image 1](https://m.media-amazon.com/images/I/713zoQF58aL.jpg) ## Available Options This product comes in different **Format** options. ## Customer Reviews ### ⭐⭐⭐⭐⭐ 1995...the last year that 1. e4 won a game in a World's Championship... *by on Reviewed in the United States March 2, 2009* ...according to the Forward by Avrukh wherein he makes the point that at the very top levels there has been a trend from l. e4 to l. d4. Even Anand switched to d4 for his recent convincing victory over Kramnik in the World's Championship. I didn't really need any convincing since I made that switch years ago and have never regretted it.This book is volume 1 based upon a repertoire consisting of l d4 d5, 2 c4 and an early g3 and Bg2 in most lines. This volume devotes the first approximate 240 pages, and 12 chapters, to the Catalan. The next 9 chapters and 100 pages cover the Slav and the remaining 100 pages and 8 chapters cover the other 1 d4 d5 openings, i.e., the Chigorin, the Tarrasch, ...Bf5, Albin Counter Gambit, Queens Gambit Accepted, etc. Please note that in this volume only the Catalan uses the g3, Bg2 kingside fianchetto system. Avrukh promises that Volume 2 will use the kingside fianchetto almost exclusively. You can do not need buy the 2nd volume if you use some other system, such as the Trompowsky (and don't want to change), against 1d4 Nf6. However, I am so impressed with Volume 1 that I will certainly buy Volume 2.This book is one in a series by Quality Chess that emphasizes playing the main lines. It has no complete games. The first page of each chapter contains a variation tree indicating what is contained in the chapter. The end of the book also has an index of variations which obviously makes finding things easier. Each chapter contains all the variations shown on the preceding tree. It is here that one realizes what a monumental work this is. Avrukh includes so many comments, additional analysis, "busts" to previous theory and novelties that you would think that this would have been years in the making. Many of the variations are only partially from games since when Avrukh introduces a novelty, naturally what follows is his analysis rather than the moves from an actual game. This is a large, dense book but with a great deal of prose contained within the analysis and even though each variation probably averages about 15 moves and occasionally as long as 25 there is a lot of chess education that can be found in Avrukh's comments. Clearly this is a serious repertoire meant to be used against the world's best. It is certainly no "Starting Out with the...." type of book. I suppose in reality it is geared toward stronger players, though I think that just playing through the variation tree moves to get a basic feel for the repertoire and then starting to dip into the main body of the book should put anyone on the road to improving.Avrukh is well known as a leading analyst and theoretician. He is also one of the strongest players in the world. He is currently in the top 100 and has been in the top 50 and is rated about 2650. He says that this repertoire is 90% his own and he will be incorporating the other 10%. I think it is very likely that Avrukh is the strongest player ever to author a full repertoire volume.Finally, I should mention that the book itself is the typical high quality product of Quality Chess. The binding is solid, the paper is high quality with very little bleed and the print and diagrams are clear and attractive. ### ⭐⭐⭐⭐⭐ A place to start *by on Reviewed in the United States May 20, 2011* I switched to 1. d4 not too long ago because I was fascinated by playing the White side of the Mar Del Plata King's Indian, Modern Benoni and various Queen's Gambit Accepted and Declined variations.While rounding up my White repertoire, I found some issues: I do not know how to play the White side of the Nimzo-Indian properly and was also unwilling to learn how to play against the Queen's Indian (some friends said that I should play the Fianchetto variation. I told them that the positions seem boring). In the Nimzo-Indian, I have always had trouble trying to develop properly and find ways to open up the board so that my Bishop pair will be active. I first started playing the Qc2 lines and wound up being outplayed by many of my opponents. I would give back a Bishop for a Knight in order to ensure that my structure isn't under attack but then my opponent would have a lead in space despite being down a pawn and still win. I tried the Rubinstein with that expectation that my structure isn't all quite that important, and the results were better... My sense of danger isn't the best fitted for White side of the 4. Qc2 Nimzo, and with the Rubinstein, I felt that even though my structure looks terrible it sure doesn't mean that I have a bad position. I compensate it for piece activity. I will definitely keep playing the Rubinstein as an alternative to the Catalan.I play the Black side of the Nimzo as well and tend to transpose into a Benoni or QGD depending on my mood against 3. Nf3... but I didn't have a variations for the Catalan. Played the Catalan as Black, and didn't even know the theory or ideas. I tried to play a Tartakower set up and I was smashed to bits. I was strangled so hard.That's when I bought this book knowing that I will be facing a lot of lines in the Catalan because of this book (as well as some home analysis!). At the time I also thought that the e3 Slav is lame and that not playing a4 in the QGA might be a mistake for White. After much realization that I do play the Queenside Fianchetto of the Anti-Meran, I gave the e3 Slav a whirl and now it is my full time choice against the Slav. Also, the e3 QGA goes with Avrukh's idea as White in the Catalan that allowing Black to expand pawns in the Queenside may provide Black with counterplay but can also turn Black's Queenside pawns into objects of attack if White plays courageously. I even turned that into my choice as White as well.I chose the open Catalan and the Main Line as my weapons for Black against the Catalan and it worked out very well! I scored some very nice dynamic wins against my chess mentor due to the fact I understood these positions better than he did says a lot about this book for me. The positions at all did not even occur to me as stale even though that's what other perceive it! There were pawn sacrifices that abound for both sides, lots of exchange sacrifices for the sake of space, weak squares all over the board!!! My gosh, this opening is very much violent.And playing the black side boosted my confidence to play the White side of the Catalan. Prepared some basic stuff; main lines, open Catalans, the Semi-Slav structures.... some others. Didn't prepare the Catalan very throughly, but expected what I felt like I should expect. So I beat up on a lot of players that try to keep a foothold on the center and keep me from playing e4 by keeping their pawn on d5, which I retorted with overloading their blind spot: e5. I also had some very entertaining and dangerous games in the main lines as well. I have always wanted to learn how to play chess better in general, and this opening provided a way for me to learn how to play bird's eye view positional chess with the idea that all tactical operations should ideally affect the rest of the board. It also helped with my understanding of playing the Black side of the Ruy and Scotch, open file play and Knight coordinations.Also, losing against better players with the Catalan makes postmortem analysis very interesting to study as well, because the Catalan is just so darn interesting! ### ⭐⭐⭐⭐⭐ very ambitious work; make sure you're up to the challenge! *by on Reviewed in the United States April 22, 2013* Avrukh's two-volume repertoire series will surely be remembered as some of the best chess opening literature in history. The amount of in-depth original analysis is staggering. But at 400+ pages of dense analysis for the first volume alone, this work is probably more ambitious most chess players are prepared to handle, myself included (and I'm USCF 1950).Just a helpful hint if that sounds like you: I'd recommend starting with a more digestible repertoire based around the Catalan and kingside fianchetto variations first. For example, the "Wojo's Weapons" series is high quality and highly accessible. I think it's important to first develop a complete repertoire, then supplement it with chapters from Avrukh's magnum opus as needed. Over time you might supplement the entire repertoire. The point is that I can imagine someone trying to tackle this monster and never quite feeling truly prepared sitting at the board because you're still learning the main lines. Just my two cents.-Edit (4/24/13): I can't imagine a better synopsis than something I just found tucked away on page 100: "I definitely prefer the main line, where I have done a lot of work. It seems that I have managed to find some interesting ideas, which I would like to share with you." 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