---
product_id: 48172885
title: "An Enchantment of Ravens"
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---

# An Enchantment of Ravens

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An instant New York Times bestseller! An Indie Next Top 10 Pick A Parents’ Choice Silver Honor Winner “A funny, action-packed, and sweet romance.” — School Library Journal (starred review) “A phenomenal read.” — RT Book Reviews A skilled painter must stand up to the ancient power of the faerie courts—even as she falls in love with a faerie prince—in this gorgeous bestseller that’s “an ideal pick for fans of Holly Black, Maggie Stiefvater, and Laini Taylor” ( Publishers Weekly , starred review). Isobel is an artistic prodigy with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes—a weakness that could cost him his life. Furious, Rook spirits her away to his kingdom to stand trial for her crime. But something is seriously wrong in his world, and they are attacked from every side. With Isobel and Rook depending on each other for survival, their alliance blossoms into trust, then love—and that love violates the fair folks’ ruthless laws. Now both of their lives are forfeit, unless Isobel can use her skill as an artist to fight the fairy courts. Because secretly, her Craft represents a threat the fair folk have never faced in all the millennia of their unchanging lives: for the first time, her portraits have the power to make them feel.

Review: a great read. A story that totally engrossed me, - An Enchantment of Ravens, Margaret Rogerson Review from Jeannie Zelos book reviews Genre: Romance, Sci-fi and Fantasy I have a real weakness for books set in the Fae world. I spent my Xmas book tokens on fairy stories when I was about ten. Mum said then I was too old for all that, but the magic of a Fae setting has never left me, I still adore those stories. Sorry Mum ;-) So, even with free review books, even with KU I still buy the odd book, and I splashed out £5.99 on this one. Its one I loved, I know I'll reread, so its well worth it to me. Its a fascinating read, the Fae are beings to respect, to be afraid of. They may look a little like humans, with their glamour covering their true appearance, but their nature is very, very much darker, very different. Some of them see humans as mere playthings, they talk about fifty, a hundred years back as if it was last week. True to many versions of Fae Margaret's Fae cannot use Craft, they cannot create, and like anyone, what they can't do, can't have they crave. That keeps Isobel in work, they love her portraits, and in payment she bargains for protections and other things her family need. Even though she's only seventeen Isobel feels much older. She has a maturity beyond her years. This is one of those books that could be aimed at YA market, but which appeals to readers like me, far beyond that demographic. Well written books cross boundaries, IMO, to have universal appeal. I loved Isobel, her aunt, and of course her two “sisters” March and May. Theirs is a story that illustrates the caprice of the Fae.... There's a good build up, letting the reader understand the world, while still keeping interest in whats happening. I loved reading about how they managed daily life, how the village of Whimsy was set away from the World Beyond. We saw glimpses of other Fae as they came to buy craft, and of course see how carefully the villagers treat them. Isobel is content, as much as she can be, with her lot in life until it all gets turned upside down when her latest sitter, Rook, takes her back to his estate, the Autumn Lands in a fit of anger. That starts a journey where their lives are under constant threat, where they have to take care in every movement, and where they come to rely on each other to survive, and gradually trust and then love each other. Along the way I fell a bit in love with Rook too...That love between them brings its own dangers though, and there are some very real trials if they want a happy ending, or even if they just want to stay alive. As the story reaches its conclusion there are many twists and turns, and some surprises I didn't see coming. I really enjoyed this story, great characters, interesting plots and just enough of the day to day stuff to be absorbing and not boring. Stars: Five, a great read. A story that totally engrossed me, and in the midst of Covid19 I've found my usual escape in books very difficult. This story did it, took me away from today's issues and stress into another world for a couple of hours.
Review: There was a lot I loved about this - I have so much to say about this book. There was a lot I loved about this, so much so I could’ve seen it as a 5 star read with some tweaking. I liked that it was a short standalone, and though that length was refreshing in some ways, it was hindering in others, mostly emotional leaps to get the story where it needed to go in a shorter period of time. I adored the world, and Margaret Rogerson’s depiction of the fair folk. The writing was lush and characters well expressed. As a debut, I was so impressed, and could see unbound potential for future books. Characters A few characters weren't as strong on the page as others. Emma and the twins never felt quite right, but they possibly could've with more time on the page. Aster and the Hemlock could've been interesting characters, but they fell flat for me- even if they could've been explored more if the book had been longer. Negatives aside- I loved the main duo. I normally feel neutral about female main characters in fantasy- especially when it's in first person- but I actually liked Isobel. She wasn't whiny or naive- nor was she miss perfect. I loved Rook too, there was something sweet about him. I liked the way he and Isobel interacted, and how their vastly different lives intertwined and clashed throughout the story. However, he never quite felt like a "prince" in the way as another character does. I loved the vibe of him, and his character, and I could've read a much longer book exploring him alone and the ins and outs of his life even separate from Isobel. I enjoyed Gadfly, I thought his own manner came off very clear, and the image of him was crisp in my head. I liked Lark too, and found her a joy to read despite her eccentricities. These group of characters in particular jumped out at me and were what helped make this book compelling and engaging. (especially Rook). Romance I'm the type that struggles with romance that blooms too quickly. This is short- and half the book revolves around the consequences of a mortal and a fair folk falling for each other- and the book's only 300 pages, so yes, it felt rushed to me. I could believe that they would fall for each other- it just happened too quick. There were grand declarations of love that read as so cheesy I was afraid my eyes wouldn't return from rolling up into my brain. They'd not known each other, truly, for long at all. I would've liked a slower burn- and this is the only place the length of this book truly hindered this novel for me. This romance had potential, and if it went there for me this really could've been a 5 star book for me. However- there were two things I did like about their portrayal of their relationship- but I'll hide them in spoiler tags- but I'll let you all know it didn't feel wholly unhinged. World Okay, I am crazy for this depiction of the fair folk, or “faeries”- even more so than the world of Maas- like way more. I loved the darkness to it, that immortality isn't glorified or perfect. That there's consequence. I loved that the fair folk had attributes we're familiar with- but that was there an overall feel to it that felt original to this story. I loved that their beauty was only a glamour- how their whole world festered and rotted. It's the embodiment of its what's on the inside that matters. I was happy fair folks weren't these perfect, flawless, beautiful things- that they were so inhuman. I loved the set up, I loved that we had a full sense of the world without a 600 paged novel. I want more fair folks like this, beautiful and ugly, and inhuman without that making them wholly monstrous. It was interesting how Rogerson showed the fair folk’s world view and emotion without making each faerie cookie-cutters of one another. It's hard to articulate my love for it- but I have to say this side of it was my favourite part of this novel. Plot The plot, for me, wasn't the strongest thing about this book. I personally loved the character, set-up and world. The first half of the book was my favourite- but I could understand that if you didn't take to those elements why this book would fall flat for some people. I loved the exploration of Isobel's Craft- and how it shows the vital importance of the arts- and what our world would be reduced to without it- how we wear and use it every day- and how, a lot of the time, it's looked down upon when compared to the sciences- which are just a different kind of important. A large part of the plot later revolved around love, and though interesting, it feel short as I couldn't wholly believe their love was true considering for how little time they knew each other. After the halfway point, Rook and Isobel are around each other less, and there wasn't a lot of time of them together to actually be together in requited love. Writing The writing was sharp and crisp and gorgeous. It really brought the world and people to life without being over-descriptive. It was full of precise word choice. It's funny at times, the dialogue well written and consistent. I loved how you could tell the difference between humans and the fair folk just through the word choice of what they said and how their words were phrased. Ending Proceed this this paragraph with care if you haven’t read the book (or skip it). It doesn’t have outright spoilers, but hints to how it all ends up until the spoiler tags. I can't say I hated the ending, but I didn't love it either. Some of it felt a bit too easy, or a bit like a fairy-tale ending- but I can't lie and say I wouldn't have been pissed if it had had a depressing end. Conclusion This was a beautiful read that had undertones of some of my favourite books while remaining original in its own right. This reminded me why I had such a fascination and love for faeries when I was younger- it’s this type of faerie, or fair folk, the kind with a dark side- that’s not just plain and boring and beautiful- the kind that are disturbing and different from us with a different view of the world that I adore reading about. I had my issues, but remember this is a debut- and I will undoubtedly be looking out for whatever Rogerson puts out next as I’m sure she will only improve, and could, maybe someday, write a favourite.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | 243,206 in Books ( See Top 100 in Books ) 60 in Art & Architecture Fiction for Young Adults 125 in Dark Fantasy for Young Adults 201 in Historical Romance for Young Adults |
| Customer Reviews | 4.1 out of 5 stars 6,622 Reviews |

## Images

![An Enchantment of Ravens - Image 1](https://m.media-amazon.com/images/I/81VacthcUHL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ a great read. A story that totally engrossed me,
*by J***S on 9 September 2020*

An Enchantment of Ravens, Margaret Rogerson Review from Jeannie Zelos book reviews Genre: Romance, Sci-fi and Fantasy I have a real weakness for books set in the Fae world. I spent my Xmas book tokens on fairy stories when I was about ten. Mum said then I was too old for all that, but the magic of a Fae setting has never left me, I still adore those stories. Sorry Mum ;-) So, even with free review books, even with KU I still buy the odd book, and I splashed out £5.99 on this one. Its one I loved, I know I'll reread, so its well worth it to me. Its a fascinating read, the Fae are beings to respect, to be afraid of. They may look a little like humans, with their glamour covering their true appearance, but their nature is very, very much darker, very different. Some of them see humans as mere playthings, they talk about fifty, a hundred years back as if it was last week. True to many versions of Fae Margaret's Fae cannot use Craft, they cannot create, and like anyone, what they can't do, can't have they crave. That keeps Isobel in work, they love her portraits, and in payment she bargains for protections and other things her family need. Even though she's only seventeen Isobel feels much older. She has a maturity beyond her years. This is one of those books that could be aimed at YA market, but which appeals to readers like me, far beyond that demographic. Well written books cross boundaries, IMO, to have universal appeal. I loved Isobel, her aunt, and of course her two “sisters” March and May. Theirs is a story that illustrates the caprice of the Fae.... There's a good build up, letting the reader understand the world, while still keeping interest in whats happening. I loved reading about how they managed daily life, how the village of Whimsy was set away from the World Beyond. We saw glimpses of other Fae as they came to buy craft, and of course see how carefully the villagers treat them. Isobel is content, as much as she can be, with her lot in life until it all gets turned upside down when her latest sitter, Rook, takes her back to his estate, the Autumn Lands in a fit of anger. That starts a journey where their lives are under constant threat, where they have to take care in every movement, and where they come to rely on each other to survive, and gradually trust and then love each other. Along the way I fell a bit in love with Rook too...That love between them brings its own dangers though, and there are some very real trials if they want a happy ending, or even if they just want to stay alive. As the story reaches its conclusion there are many twists and turns, and some surprises I didn't see coming. I really enjoyed this story, great characters, interesting plots and just enough of the day to day stuff to be absorbing and not boring. Stars: Five, a great read. A story that totally engrossed me, and in the midst of Covid19 I've found my usual escape in books very difficult. This story did it, took me away from today's issues and stress into another world for a couple of hours.

### ⭐⭐⭐⭐ There was a lot I loved about this
*by K***T on 21 November 2017*

I have so much to say about this book. There was a lot I loved about this, so much so I could’ve seen it as a 5 star read with some tweaking. I liked that it was a short standalone, and though that length was refreshing in some ways, it was hindering in others, mostly emotional leaps to get the story where it needed to go in a shorter period of time. I adored the world, and Margaret Rogerson’s depiction of the fair folk. The writing was lush and characters well expressed. As a debut, I was so impressed, and could see unbound potential for future books. Characters A few characters weren't as strong on the page as others. Emma and the twins never felt quite right, but they possibly could've with more time on the page. Aster and the Hemlock could've been interesting characters, but they fell flat for me- even if they could've been explored more if the book had been longer. Negatives aside- I loved the main duo. I normally feel neutral about female main characters in fantasy- especially when it's in first person- but I actually liked Isobel. She wasn't whiny or naive- nor was she miss perfect. I loved Rook too, there was something sweet about him. I liked the way he and Isobel interacted, and how their vastly different lives intertwined and clashed throughout the story. However, he never quite felt like a "prince" in the way as another character does. I loved the vibe of him, and his character, and I could've read a much longer book exploring him alone and the ins and outs of his life even separate from Isobel. I enjoyed Gadfly, I thought his own manner came off very clear, and the image of him was crisp in my head. I liked Lark too, and found her a joy to read despite her eccentricities. These group of characters in particular jumped out at me and were what helped make this book compelling and engaging. (especially Rook). Romance I'm the type that struggles with romance that blooms too quickly. This is short- and half the book revolves around the consequences of a mortal and a fair folk falling for each other- and the book's only 300 pages, so yes, it felt rushed to me. I could believe that they would fall for each other- it just happened too quick. There were grand declarations of love that read as so cheesy I was afraid my eyes wouldn't return from rolling up into my brain. They'd not known each other, truly, for long at all. I would've liked a slower burn- and this is the only place the length of this book truly hindered this novel for me. This romance had potential, and if it went there for me this really could've been a 5 star book for me. However- there were two things I did like about their portrayal of their relationship- but I'll hide them in spoiler tags- but I'll let you all know it didn't feel wholly unhinged. World Okay, I am crazy for this depiction of the fair folk, or “faeries”- even more so than the world of Maas- like way more. I loved the darkness to it, that immortality isn't glorified or perfect. That there's consequence. I loved that the fair folk had attributes we're familiar with- but that was there an overall feel to it that felt original to this story. I loved that their beauty was only a glamour- how their whole world festered and rotted. It's the embodiment of its what's on the inside that matters. I was happy fair folks weren't these perfect, flawless, beautiful things- that they were so inhuman. I loved the set up, I loved that we had a full sense of the world without a 600 paged novel. I want more fair folks like this, beautiful and ugly, and inhuman without that making them wholly monstrous. It was interesting how Rogerson showed the fair folk’s world view and emotion without making each faerie cookie-cutters of one another. It's hard to articulate my love for it- but I have to say this side of it was my favourite part of this novel. Plot The plot, for me, wasn't the strongest thing about this book. I personally loved the character, set-up and world. The first half of the book was my favourite- but I could understand that if you didn't take to those elements why this book would fall flat for some people. I loved the exploration of Isobel's Craft- and how it shows the vital importance of the arts- and what our world would be reduced to without it- how we wear and use it every day- and how, a lot of the time, it's looked down upon when compared to the sciences- which are just a different kind of important. A large part of the plot later revolved around love, and though interesting, it feel short as I couldn't wholly believe their love was true considering for how little time they knew each other. After the halfway point, Rook and Isobel are around each other less, and there wasn't a lot of time of them together to actually be together in requited love. Writing The writing was sharp and crisp and gorgeous. It really brought the world and people to life without being over-descriptive. It was full of precise word choice. It's funny at times, the dialogue well written and consistent. I loved how you could tell the difference between humans and the fair folk just through the word choice of what they said and how their words were phrased. Ending Proceed this this paragraph with care if you haven’t read the book (or skip it). It doesn’t have outright spoilers, but hints to how it all ends up until the spoiler tags. I can't say I hated the ending, but I didn't love it either. Some of it felt a bit too easy, or a bit like a fairy-tale ending- but I can't lie and say I wouldn't have been pissed if it had had a depressing end. Conclusion This was a beautiful read that had undertones of some of my favourite books while remaining original in its own right. This reminded me why I had such a fascination and love for faeries when I was younger- it’s this type of faerie, or fair folk, the kind with a dark side- that’s not just plain and boring and beautiful- the kind that are disturbing and different from us with a different view of the world that I adore reading about. I had my issues, but remember this is a debut- and I will undoubtedly be looking out for whatever Rogerson puts out next as I’m sure she will only improve, and could, maybe someday, write a favourite.

### ⭐⭐⭐ Felt like an unfulfilled promise...
*by N***I on 26 June 2021*

I'd heard so many wonderful things about this book that I couldn't not buy it when a fae mood struck. The cover is cool, the title is awesome and - as I said - people seemed to love it so I was excited... But then, it didn't take me long to realise that my favourite part of this book is likely to forever be the title: An Enchantment of Ravens. Now, I realise that sounds quite negative and I don't mean to be! An Enchantment of Ravens isn't a bad book, it's just a very specific kind of book that I think will leave people enchanted or completely underwhelmed and I was in the underwhelmed category. It had so much potential but I felt like it just never reached it. I felt like I was being teased all the way through. Teased by a story that could sweep me away into another place but never did. Teased by a romance that could have been everything but wasn't. Teased by an opportunity that just never manifests. The world-building is pretty cool, with an interesting take on the fae, but it leaves more unexplained than shared. The characters... Well, you barely scrape the surface of them. The pacing is weird, sometimes it's super slow and other times super fast. The romance has so much potential but left me feeling unsatisfied just like the ending which leaves too much hanging! Rogerson is clearly a gifted writer able to evoke beautiful images and feelings with her words but the whole book felt like an unfulfilled promise and so it frustrated me more than it delighted me... but, just to be an awkward contraction, I enjoyed it just the same and read it cover to cover over a 24hr period. I just don't know what to tell you... Except that I'd definitely read a sequel if there was to ever be one. Especially if that sequel tied off all the loose ends and fulfilled the promise that this book made but never quite delivered.

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