--- product_id: 634653312 title: "Sunrise on the Reaping (the Hunger Games)" price: "157.10 DT" currency: TND in_stock: true reviews_count: 13 url: https://www.desertcart.tn/products/634653312-sunrise-on-the-reaping-the-hunger-games store_origin: TN region: Tunisia --- # Prequel deep dive High-stakes survival Political intrigue Sunrise on the Reaping (the Hunger Games) **Price:** 157.10 DT **Availability:** ✅ In Stock ## Summary > ⚡️ Relive the dawn of Panem’s darkest hour — don’t just read it, live it. ## Quick Answers - **What is this?** Sunrise on the Reaping (the Hunger Games) - **How much does it cost?** 157.10 DT with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.tn](https://www.desertcart.tn/products/634653312-sunrise-on-the-reaping-the-hunger-games) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Key Features - • **Unlock Panem’s Origins:** Explore the untold early life of Haymitch Abernathy and the 50th Hunger Games. - • **Power & Rebellion Unveiled:** Experience the chilling rise of President Snow and the cost of resistance. - • **Masterclass in Storytelling:** Suzanne Collins weaves seamless connections across five books with subtle Easter eggs. - • **Complex Characters, Real Stakes:** Dive into the layered motivations of Haymitch, Beetee, Wiress, and Mags. - • **Top-Ranked Dystopian Bestseller:** #1 in Teen & Young Adult Survival, Dystopian & Sci-Fi Action genres. ## Overview Sunrise on the Reaping is a critically acclaimed prequel to The Hunger Games series by Suzanne Collins, ranked #1 in multiple young adult categories. It offers an immersive exploration of Haymitch Abernathy’s early life and the 50th Hunger Games, enriching the dystopian universe with political intrigue, complex characters, and emotional depth that longtime fans and newcomers will find irresistible. ## Description The unforgettable fifth book in the Hunger Games series: Haymitch’s story. Feature film scheduled for November 2026. #1 USA Today Bestseller • #1 New York Times Bestseller • #1 Indie Bestseller • #1 Publishers Weekly Bestseller • A New York Times Editors’ Choice “A propulsive, brutal Hunger Games prequel is here. And it’s great.” The New York Times When you’ve been set up to lose everything you love, what is there left to fight for? As the day dawns on the fiftieth annual Hunger Games, fear grips the districts of Panem. This year, in honor of the Quarter Quell, twice as many tributes will be taken from their homes. Back in District 12, Haymitch Abernathy is trying not to think too hard about his chances. All he cares about is making it through the day and being with the girl he loves. When Haymitch’s name is called, he can feel all his dreams break. He’s torn from his family and his love, shuttled to the Capitol with the three other District 12 tributes: a young friend who’s nearly a sister to him, a compulsive oddsmaker, and the most stuck-up girl in town. As the Games begin, Haymitch understands he’s been set up to fail. But there’s something in him that wants to fight . . . and have that fight reverberate far beyond the deadly arena. Review: A Knife to the Heart, Wrapped in Suzanne Collins’ Brilliance - 🌾💔 I’ve been a Hunger Games fan from the very beginning. I read every book the week it came out and I was at the theater on release day for every movie. Now I’m in my thirties, still re reading the trilogy every few years because something about Suzanne Collins’ writing never loses its magic. Sunrise on the Reaping reminded me exactly why Panem has stayed with me for almost two decades now. Going into this, I expected to understand Haymitch better. I did not expect to feel this much. There were moments where I had to set my Kindle down because my chest hurt. Collins writes him with so much depth that his choices, strengths, bitterness, and heartbreak feel almost personal. I laughed at his defiance and cried at the moments where he is forced to grow up all at once. It surprised me how heavy some of it stayed with me after I closed the book. What really impressed me is how beautifully this fits into the entire Hunger Games universe. Between the original trilogy, The Ballad of Songbirds and Snakes, and now this book, Collins has created one long, seamless story with no real plot holes. The way she threads themes, symbols, and character echoes from one book to the next feels intentional and incredibly satisfying. There were a few quiet easter eggs in this one too, and if you’ve read all five books, you’ll spot them. They aren’t loud or forced. They’re subtle, emotional, and clever in a way that makes you appreciate how much care she puts into this world. This book also made me rethink Ballad. Seeing how the Capitol operates in Haymitch’s Games, contrasted with Snow’s early years, ties everything together in a way that feels almost chilling. It’s rare for a series to still be revealing meaningful layers after five books, but Collins manages it without ever breaking her world’s rules or tone. That’s something only a master storyteller can do. And with the new movie trailer everywhere right now, reading this hit even harder. It’s surreal to have grown up with these characters and still feel so connected to them in adulthood. Collins writes with the kind of emotional clarity that reaches you no matter how old you are. I didn’t expect a prequel to make me reflect on the original trilogy with even more understanding, yet here we are. If you love the Hunger Games series, this book is going to matter to you. It’s emotional in the ways that count and thoughtful in the ways longtime fans appreciate. Sunrise on the Reaping doesn’t just expand the story. It enriches it 📚🤍 It’s powerful, heartbreaking, and crafted with the same level of care that made the original trilogy unforgettable. As someone who has carried these books through different stages of life, reading this felt like returning to a familiar world with new eyes. I’m grateful we got this story and even more grateful for how beautifully it connects every piece of the series together. Review: Nevermore [*Spoilers included] - Like Suzanne Collins’s most recently-published previous novel, The Ballad of Songbirds and Snakes, this brand-new book, Sunrise on the Reaping, is a prequel to her blockbuster trilogy, The Hunger Games. The Ballad was set during the tenth iteration of the games, a televised, bloody, fight-to-the-death “pageant” featuring children ages 12-18 drawn from Panem’s twelve districts. The Ballad tells the story of a young student, Coriolanus Snow, his scrabbling to escape his disadvantaged situation, his becoming a mentor to the female tribute from District 12, his risks and machinations regarding her Hunger Games participation leading to his fall from grace, and his subsequent decisions, which eventually, inexorably, lead to his climb to power. This brand-new novel, Sunrise on the Reaping, opens about forty years after Snow’s story, Snow is now president of the nation, and Sunrise on the Reaping begins on the very morning when district tributes are selected as tributes for the second Quarter Quell, year fifty of The Hunger Games. This novel tells the story of District 12’s Haymitch Abernathy, the sodden, sullen victor of the games who readers will instantly recognize as mentor to Katness and Peeta in the first two novels of the original trilogy. This novel opens on Haymitch’s sixteenth birthday. It follows his journey from unwitting tribute to shattered victor, supplying readers with a much-awaited back story. It is, in my opinion, worth the wait. Knowing what Haymitch experiences as a young man affords readers a richer understanding of the character’s subsequent behavior, and also provides them with a pulse-pounding, suspenseful, action-packed story similar to but distinct from the other hunger games sagas. It’s also fascinating to be introduced to characters whom readers have either known in different timelines or have heard of in connection with other characters in the fictional world Collins has created. Haymitch is a contemporary of the parents of the tributes selected in the first novel, so readers meet them as adolescents. Other Hunger Games victors, such as Beattie and Mags and Wiress, figure into the story as well. This expansion —and/or contraction?—of Collins’s world-building adds another layer of brilliance to this novel. Finally, a note on poetry and music in this book: Suzanne Collins’s intensive use of Edgar Allen Poe’s “The Raven” made me do a deeper dive into the role of music, folk-lore and oral tradition in locations where conflict has disrupted or destroyed the flow of history, or the narrative of history, at least. In the novel’s Covey family, gypsy-like nomadic musicians who figure peripherally in both this and previous novels, Collins celebrates the oral tradition of folk songs and protest anthems that resonate through the world of The Hunger Games. From Katniss’s singing her dad’s songs, to Lucy Gray’s proclaiming in song that the Capital can’t take anything away of real value, to Lenore Dove’s serenading her geese in the meadow —and being detained after singing politically-charged songs before crowds in District 12, these young women use song as links to the past, to their forebearers, carrying on the knowledge and agendas of their families and clans, and thus perpetuating the historical, political value of such music, and, correspondingly, the stirrings of rebellion that simmer under the surface of Panem. In Haymitch’s story, the disorienting, hopeless position he is in as a tribute in a year when the games demand twice the number of participants begins to mirror and then coexist with the unsettling, bewildering, sing-songy, dream-like metrical structure of “The Raven.” At first the poem is familiar—if not tremendously important—to Haymitch because the girl he loves is named Lenore, the same name as that of the poem’s speaker’s lost love. He surprises Plutarch Heavensbee (another familiar name from the original trilogy) by quoting part of “The Raven” to him prior to the beginning of the 50th annual bloodbath. (The idea of drinking to forget creeps cleverly into the narrative here, foreshadowing what Haymitch will become.) As the games disorient and plunge him into their particularly nasty chaos, echoes of the poem haunt his mind. It is as if he is performing a dirge for himself in his brain. Memories of death after death make reality unbearable for Haymitch, as he awaits his after-victory fate alone in the training center, during the surreal Capital celebrations of his win, and after he returns home to ashes and tragedy. The narrative is increasingly interspersed with stanzas of the poem. When he implores his former best friend (who readers infer will become Katniss’s father in a few short years) to take him to Lenore Dove’s hidden burial plot, he finds words from “The Raven” engraved on her headstone. The disorienting struggle to keep living with himself and without Lenore Dove compound upon his losses, and all that is left for him at the novel is the echo of “nevermore.” ## Features - A prequel to The Hunger Games, exploring the early life of Haymitch Abernathy and the 50th Hunger GamesExpands the beloved dystopian world with new characters, political intrigue, and high-stakes survivalA must-read for Hunger Games fans and lovers of dystopian fiction who want to dive deeper into Panem's history ## Technical Specifications | Specification | Value | |---------------|-------| | Best Sellers Rank | #269 in Books ( See Top 100 in Books ) #1 in Teen & Young Adult Survival Stories #1 in Teen & Young Adult Dystopian #1 in Teen & Young Adult Science Fiction Action & Adventure | | Customer Reviews | 4.7 out of 5 stars 95,104 Reviews | ## Images ![Sunrise on the Reaping (the Hunger Games) - Image 1](https://m.media-amazon.com/images/I/61o5Q8IIq4L.jpg) ## Available Options This product comes in different **Format** options. ## Customer Reviews ### ⭐⭐⭐⭐⭐ A Knife to the Heart, Wrapped in Suzanne Collins’ Brilliance *by J***S on December 1, 2025* 🌾💔 I’ve been a Hunger Games fan from the very beginning. I read every book the week it came out and I was at the theater on release day for every movie. Now I’m in my thirties, still re reading the trilogy every few years because something about Suzanne Collins’ writing never loses its magic. Sunrise on the Reaping reminded me exactly why Panem has stayed with me for almost two decades now. Going into this, I expected to understand Haymitch better. I did not expect to feel this much. There were moments where I had to set my Kindle down because my chest hurt. Collins writes him with so much depth that his choices, strengths, bitterness, and heartbreak feel almost personal. I laughed at his defiance and cried at the moments where he is forced to grow up all at once. It surprised me how heavy some of it stayed with me after I closed the book. What really impressed me is how beautifully this fits into the entire Hunger Games universe. Between the original trilogy, The Ballad of Songbirds and Snakes, and now this book, Collins has created one long, seamless story with no real plot holes. The way she threads themes, symbols, and character echoes from one book to the next feels intentional and incredibly satisfying. There were a few quiet easter eggs in this one too, and if you’ve read all five books, you’ll spot them. They aren’t loud or forced. They’re subtle, emotional, and clever in a way that makes you appreciate how much care she puts into this world. This book also made me rethink Ballad. Seeing how the Capitol operates in Haymitch’s Games, contrasted with Snow’s early years, ties everything together in a way that feels almost chilling. It’s rare for a series to still be revealing meaningful layers after five books, but Collins manages it without ever breaking her world’s rules or tone. That’s something only a master storyteller can do. And with the new movie trailer everywhere right now, reading this hit even harder. It’s surreal to have grown up with these characters and still feel so connected to them in adulthood. Collins writes with the kind of emotional clarity that reaches you no matter how old you are. I didn’t expect a prequel to make me reflect on the original trilogy with even more understanding, yet here we are. If you love the Hunger Games series, this book is going to matter to you. It’s emotional in the ways that count and thoughtful in the ways longtime fans appreciate. Sunrise on the Reaping doesn’t just expand the story. It enriches it 📚🤍 It’s powerful, heartbreaking, and crafted with the same level of care that made the original trilogy unforgettable. As someone who has carried these books through different stages of life, reading this felt like returning to a familiar world with new eyes. I’m grateful we got this story and even more grateful for how beautifully it connects every piece of the series together. ### ⭐⭐⭐⭐⭐ Nevermore [*Spoilers included] *by B***N on March 20, 2025* Like Suzanne Collins’s most recently-published previous novel, The Ballad of Songbirds and Snakes, this brand-new book, Sunrise on the Reaping, is a prequel to her blockbuster trilogy, The Hunger Games. The Ballad was set during the tenth iteration of the games, a televised, bloody, fight-to-the-death “pageant” featuring children ages 12-18 drawn from Panem’s twelve districts. The Ballad tells the story of a young student, Coriolanus Snow, his scrabbling to escape his disadvantaged situation, his becoming a mentor to the female tribute from District 12, his risks and machinations regarding her Hunger Games participation leading to his fall from grace, and his subsequent decisions, which eventually, inexorably, lead to his climb to power. This brand-new novel, Sunrise on the Reaping, opens about forty years after Snow’s story, Snow is now president of the nation, and Sunrise on the Reaping begins on the very morning when district tributes are selected as tributes for the second Quarter Quell, year fifty of The Hunger Games. This novel tells the story of District 12’s Haymitch Abernathy, the sodden, sullen victor of the games who readers will instantly recognize as mentor to Katness and Peeta in the first two novels of the original trilogy. This novel opens on Haymitch’s sixteenth birthday. It follows his journey from unwitting tribute to shattered victor, supplying readers with a much-awaited back story. It is, in my opinion, worth the wait. Knowing what Haymitch experiences as a young man affords readers a richer understanding of the character’s subsequent behavior, and also provides them with a pulse-pounding, suspenseful, action-packed story similar to but distinct from the other hunger games sagas. It’s also fascinating to be introduced to characters whom readers have either known in different timelines or have heard of in connection with other characters in the fictional world Collins has created. Haymitch is a contemporary of the parents of the tributes selected in the first novel, so readers meet them as adolescents. Other Hunger Games victors, such as Beattie and Mags and Wiress, figure into the story as well. This expansion —and/or contraction?—of Collins’s world-building adds another layer of brilliance to this novel. Finally, a note on poetry and music in this book: Suzanne Collins’s intensive use of Edgar Allen Poe’s “The Raven” made me do a deeper dive into the role of music, folk-lore and oral tradition in locations where conflict has disrupted or destroyed the flow of history, or the narrative of history, at least. In the novel’s Covey family, gypsy-like nomadic musicians who figure peripherally in both this and previous novels, Collins celebrates the oral tradition of folk songs and protest anthems that resonate through the world of The Hunger Games. From Katniss’s singing her dad’s songs, to Lucy Gray’s proclaiming in song that the Capital can’t take anything away of real value, to Lenore Dove’s serenading her geese in the meadow —and being detained after singing politically-charged songs before crowds in District 12, these young women use song as links to the past, to their forebearers, carrying on the knowledge and agendas of their families and clans, and thus perpetuating the historical, political value of such music, and, correspondingly, the stirrings of rebellion that simmer under the surface of Panem. In Haymitch’s story, the disorienting, hopeless position he is in as a tribute in a year when the games demand twice the number of participants begins to mirror and then coexist with the unsettling, bewildering, sing-songy, dream-like metrical structure of “The Raven.” At first the poem is familiar—if not tremendously important—to Haymitch because the girl he loves is named Lenore, the same name as that of the poem’s speaker’s lost love. He surprises Plutarch Heavensbee (another familiar name from the original trilogy) by quoting part of “The Raven” to him prior to the beginning of the 50th annual bloodbath. (The idea of drinking to forget creeps cleverly into the narrative here, foreshadowing what Haymitch will become.) As the games disorient and plunge him into their particularly nasty chaos, echoes of the poem haunt his mind. It is as if he is performing a dirge for himself in his brain. Memories of death after death make reality unbearable for Haymitch, as he awaits his after-victory fate alone in the training center, during the surreal Capital celebrations of his win, and after he returns home to ashes and tragedy. The narrative is increasingly interspersed with stanzas of the poem. When he implores his former best friend (who readers infer will become Katniss’s father in a few short years) to take him to Lenore Dove’s hidden burial plot, he finds words from “The Raven” engraved on her headstone. The disorienting struggle to keep living with himself and without Lenore Dove compound upon his losses, and all that is left for him at the novel is the echo of “nevermore.” ### ⭐⭐⭐⭐ Not my favorite but still such a beautiful story *by G***L on December 14, 2025* First let me say that I love The Hunger Games books. Suzanne Collins has an amazing gift for conveying both imagery and emotion. You truly see me feel every word. That being said, I don't feel that anything will match the original books. I did, however, like this prequel far more than the last. Haymitch is such a loved character and to now have so much more insight into his experiences, pain and identity brings new depth to the original books. So many pieces suddenly fit together. For me, and without any spoilers, I did feel the ending chapters of the book became somewhat muddled, for lack of a better word. Huge moments where somewhat rushed andalmost uneventful and then so much emotion was just relayed in poem/song after poem after poem. I found myself longing for her usual writing and for the first time ever, wanting to skip portions of the text. I thought the recap the end, in later years, was absolutely beautiful. Was it my favorite of the series? No. Was it my favorite prequel? Yes. Would I recommend the book? Absolutely. Even with the somewhat critical feedback I had regarding the end, I am so glad I had the opportunity to learn this story. ## Frequently Bought Together - Sunrise on the Reaping (A Hunger Games Novel) (The Hunger Games) - The Ballad of Songbirds and Snakes (A Hunger Games Novel) (The Hunger Games) --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.tn/products/634653312-sunrise-on-the-reaping-the-hunger-games](https://www.desertcart.tn/products/634653312-sunrise-on-the-reaping-the-hunger-games) --- *Product available on Desertcart Tunisia* *Store origin: TN* *Last updated: 2026-06-08*