Canon EF-S 17-85mm f/4-5.6 Image Stabilized USM SLR Lens for EOS Digital SLR's - White Box (Bulk Packaging)

The Canon EF-S 17-85 4.0-5.6 IS USM is a first generation EF-S design, released Fall 2004 with the EOS 20D. It's designed for APS-C (EF-s mount) cameras, e.g., 60D, 70D, 80D and Digital Rebels. Full-frame DSLRs such as the 5D MKIII and 6D are not compatible. The 5X zoom range of wide to short telephoto--equivalent to 28-135mm on a full-frame camera--makes it ideal for general use and travel. I’ve used this lens for ten years and it's still going strong! Construction: It feels solid, sporting excellent fit and finish, sturdy plastics, metal mount and smooth moving parts. While not a small lens, it’s reasonably light and compact considering the 5X zoom range. It balances well on a 60D, 70D or 80D, feeling nimble and agile in hand. On a small DSLR such as the SL1 it's a little front heavy but should balance well on larger Rebels, e.g., T5i and T6i. Focus & Zoom: A USM Motor drives an internal lens group and the front element doesn't rotate or extend during focusing. Ring USM offers up blazing fast AF for AI Servo and single shot. Unfortunately, Ring USM is not well suited for Movie Servo enabled cameras such as the SL1 and 70D: video AF is jerky and picked up by built-in camera mics. For video, prefocus or use manual focus. Manual focus (MF) is possible without switching out of AF mode: simply grip and turn. The focus ring is narrow and not ideal for pulls. Unlike many newer lens designs, a distance scale is included. The zoom ring is large, covered with ribbed rubber, well damped and does not creep. Two nested barrels extend when racked out to 85mm. Optical Quality: My copy is tack sharp center frame (AFMA calibrated) at all focal lengths and improves only slightly when stopped down. Corners are a little softer than the center but is not an issue for most shooting. The main weakness is strong chromatic aberration (CA) on the wide side: magenta fringing on high contrast edges, e.g., tree branches against bright sky. Fortunately, it's easy to remove CA during editing in DPP or Lightroom. Some newer EOS, e.g., 80D, can be setup to automatically remove lens aberrations. As with most zooms of the range, barrel distortion is also noticeable at 17mm. Sunsets typically show little flare, but a real eye burner may invoke ghosting. However, typical high contrast night scenes with street lights or interior lamps are normally immune from flare. Image Stabilization: For me, IS adds about two stops below my normal hand held shutter speed at the wide end. At the telephoto side I can squeeze out three stops if careful. Lens Hood: The Canon EW-73B is a bayonet lens hood designed to protect this lens from stray light. It's not included and is available for 20 to 25 shekels. Fit and finish are decent: quality plastic, matte black exterior and rayon flocking. The hood can be reverse mounted for compact storage. To install, align the Canon logo at 9:00, press into the groove and twist clockwise a quarter turn until it locks into place. Who Is This Lens For? So why buy the 17-85 IS USM when newer designs such as the EF-s 18-135 3.5-5.6 IS USM, EF-s 15-85 3.5-5.6 IS USM and EF-s 17-55 2.8 IS USM are available? Price. The EF-s 17-85 4.0-5.6 IS USM is near the end of its product life and heavily discounted--about half of its original MAP. Plus, it's still a darn good optic! To put the EF-s 17-85 4.0-5.6 IS USM in perspective, optical quality slightly trails the EF-s 15-85 3.5-5.6 IS USM and EF-s 17-55 2.8 IS USM and is similar to the latest EF-s 18-55 3.5-5.6 IS STM (very good). The former two lenses cost considerably more and are heavier. However, the 17-85 offers more zoom range and better build quality than the EF-s 18-55 3.5-5.6 IS STM but only costs a little more. Final Blurb: My EF-S 17-85 4.0-5.6 IS USM has been extremely dependable these past ten years, yielding sharp images in nearly any situation thrown at it. I love the petite size, zoom range, AF speed/smoothness and sharpness of this lens. Coupled with a Rebel or XXD series DSLR, it makes a versatile, nimble and lightweight travel combo.

I just got this lens today and it is already my favorite lens to use. I was looking for a wide angle zoom to replace my 18-55mm kit lens that I feel I have outgrown. Take my word for it... don't let the f/4 fool you. You can still take great photos in low light with this lens. Image Stabilization works amazingly well... I thought it would only help a little bit... I was wrong.... it helps a LOT! Today was a very cloudy day here and I was in my brothers room where my cat was sleeping. The room lights were off and there wasn't much light coming into the room. I zoomed in on my cat and took a picture with IS turned off and then I took a picture again with IS turned on. I couldn't believe how sharp the image was after using IS. Check out a sample of this here: [...] Anyways... I'm really happy I purchased this lens and I'm sure I'll take awesome photos with it. PROS: 17-85mm is a nice range, USM, Image Stabilized, Quiet, Fast Focus, Sharp Images, and all around great lens CONS: Slightly heavier than what I'm used to, slow aperture, chromatic aberration on high contrast elements and zoom ring seems a little wobbly (nothing that I'm too worried about) Conclusion: I'm really happy about this purchase. If you want a faster lens for better bokeh, then don't buy this lens... f/4-5.6 really limits your depth of field possibilities but, if you're only worried about taking sharp photos at night, the image stabilizing is a very very very cool thing! It's a definite big upgrade from the 18-55mm kit lens.

I'm the guy who likes the new shiny item. The guy who will pay more for the new one, over the used one, just for the shiny new aspect. Even if it works the same. This review is to dispel the worries that it being used makes it show signs of wear and tear. That being said, it works the same as the lens that my daughter dropped and broke that I'm replacing with this lens. Functionality is what it should be. Great lens, great function, great pictures. That one I paid 500.00 for. This lens I got for 99.00 and I worried that I'd be picking up someones scratches and wear. AND that maybe it wouldn't work properly. I figured that, for the price, I'd get an obviously used lens that would hopefully do the job. Look closely at the pics of this lens that I received. It's in better shape than the one I'm replacing, and I take really good care of my equipment. Had I pulled this from a box, brand new and for the full price of around 500.00, as picky as I am, I would not have questioned it. The description says you can see small dust inside the edges (or something like that) and you can BUT you really have to look hard to see it. Again, I'm the guy who spends extra for shit so that I know it's perfect. This is as close as it gets. Do not let that stop you from saving a little money here. This thing looks brand new even closely. I suspect I'll be disappointed if I buy used in the future. This will be hard to beat.

After a lot of research, I bought this lens for a hiking trip to Europe for my digital rebel. I didn't take any other lenses. I took a lot of landscape photos. I didn't need my tripod because of the IS. I did take a light monopod. The IS also meant I could use a small aperture for better quality and depth of field. The IS is not very good for action shots, so I turned it off and increased the ISO rating on my camera when I needed a faster shutter speed. The focusing was fast and accurate. I was very pleased with the lens. The images were sharp and clear. There is some barrel distortion at 17mm, but I corrected for it in Photoshop with PT Lens, which is an add-on filter. Very little chromic aberration. This is not an "L" lens, but that is not it's purpose. It's a great all-round lens for everyday shooting and travel. I highly recommend it for this use.

As a professional photographer and decades-long Canon camera and Canon lens consumer/enthusiast, this over-priced boondoggle fails on many counts. My specialties include producing the Driving & Discovering Hawaii photo guidebooks that contain lots of landscapes and seascapes. There is lens barreling at the wider angles that is so bad I thought something was wrong with my particular lens, but come to find out, they're all like this. At wide angle settings you can forget about having a straight/level horizon, and the wider the setting the more preposterous this aberration becomes. Worst of all, this is a CANON lens, and a high-priced one at that, so it amazes me that this company would actually produce a lens of such abysmal quality. In the old 35mm SLR days, photo magazines would scream blue-bloody murder if they uncovered problems like these in lenses of that period. Cheap, off-brand lenses of the day were vilified for problems not as bad as what we now have here in this present day Canon "premium-class" lens. Also a big problem at wide angle is STRONG green/magenta fringing along the edges of objects, even at 24mm, which worsens as you go wider. There is a software "fix" for this fringing, but it should not even be present to begin with. To have to use software to fix an aberration in an expensive piece of equipment from a top-rated company is insulting the consumer, and should be a major embarrassment for Canon...but the folks at Canon seem unfazed. I purchased this lens to give me an all-around tool for shooting many different kinds of travel-related photos, but it fails miserably for me and my particular needs, as I use wide angle for 75% of my shots. ADDITIONAL PROBLEMS since this review was written: While in the middle of shooting a wedding with this nightmare lens, my Canon xti froze up and flashed me an Error 99 message. Via forums, I found that an error 99 usually signals a problem with the gold contacts in the lens, and I cleaned them diligently, but the problem persists. I also use a Canon EFS 70-300 mm and a Canon macro EFS 60mm, and the xti works fine with both of them. Do as much research online as you can before considering purchasing this lens. Update: Canon fixed the lens for $100, and it has worked as it did before ever since. I was very satisfied with the turn around time for the repair.

Excelent upgrade to a kit lens, works quite well and to be hionest it looks brand new, it came well packaged and I can't complaain about image quality, using it on a eos 80D

I bought this lens to be used with my 20D. The focal length range is quite impressive and can be very useful for DSLRs with an APS-C size sensor. However, the first thing I noticed is that there is extremely high vignetting/light fall off at 17mm. There is a dark circle surrounding the frame and is very visible when the edges of the frame have high luminosity. If you snap on a UV filter or a polarizer, you can forget about taking pictures at 17-20mm. That's a huge loss. Secondly, the picture is very soft up to f/8 or so. My control over exposure time and the depth of field is minimal at this aperture. Image Stabilizer works only at around 1/40 seconds or less. During longer exposure times, pictures still show camera shake. Third, Canon, on it's website doesn't give MTF charts for this lens. It's available for all other lenses including their cheap consumer zooms. May be they figured this wasn't worth $600 and didn't want to publicize it. Bottomline: If you are point-and-shoot photographer that has a DSLR for kicks, then go ahead and get this lens. It's one all-purpose lens for a 350D or a 20D. But if you are serious about photography, avoid it. I later bought a Tamron 28-75mm f/2.8 XR Di and a Tamron 17-35mm f2.8-4 XR Di. Together it costed $800. For the quality of their optics and the f2.8 constant max aperture, I happily gave up IS and USM. To top it, Tamron gave an $80 mail-in rebate and a standard 6 year warranty. I returned the lens to Amazon for a full refund, and I haven't had a more pleasant experience than their return process. In the last 5 years that I've done business with Amazon, this was my first return. They give you a UPS packing slip which you print out and stick to the package before handing it over to the UPS driver. Within a week, the refund was processed.

Upgraded almost a year ago from the very average 18-55 kit lens that came with my XTI. Wanted more color, contrast and IS and the best autofocus I could find without being too spendy. USM on the 17-85 snaps to attention almost instantaneously, and the stabilization works great. Nothing worse than a lens that you have to wait on while it hunts to find focus, and although the f/4-5.6 is nothing to write home about, the IS helps compensate for the slow aperture when you need it the most. I also have an EF50 f/1.4 for low light indoors, and an EF70-300DO for compact tele, but the 17-85 is what I keep going back to for general applications. IQ is really quite good and the range somehow just fits most composures I come across. Small and light, this EF-S lens is a perfect mate for a APS-C DSLR to use for everyday snaps. I also bought (and sold) an EF24-104L, but the low end was always too tight, and the tele end wasn't far enough (great images though). Also considered the EF-S17-55 f/2.8, but eventually decided to save the dollars. The 17-85 does show a little distortion and vigneting at 17, but easy to fix by 19 if that bothers you (not obvious enough to bother me). 20-85 is always really sharp. Did not really consider any 3rd party lenses, and this was the only Canon lens I could find with IS + USM + Range + IQ + Price. Doesn't seem prone to flare or CA. No dust or problems to report. Zooming is smooth without any creep. I keep a polarizer on most of the time since this is usually used outdoors.

Je n'en attendais pas moins de la part de Canon, mais mon attente a été plus que comblée. Cet objectif ne quitte pratiquement plus mon boîtier. Une qualité optique irréprochable. Même dans des hautes sensibiltés (2500 iso) dans la grotte de Clamouse où les flash sont interdit j'ai pu faire de très beaux clichés. La stabilisation participe également pour beaucoup dans ces conditions de faible luminosité sans être très gourmande pour les batteries. L'EF-S 17-85 mm f/4-5,6 IS USM couvre une plage de focales d'environ 27-136 mm en équivalent 24x36. Cela multplie les possibilités de cadrage et en fait un objectif polyvalent qui permet une exploitation dans un large éventail de situations de prise de vues. Idéal pour le photo reportage.

Ich habe das Objektiv inzwischen für Städtereise, Bergtouren Strandurlaub und Familienfeiern benutzt und bin damit rundum zufrieden und kann es nur weiterempfehlen

A very nice lens and easy to use.

Have been missing my 17/85 since it locked up and died. Really happy to find this one used and I’m very good condition upon arrival. I sold my 60D and this looks pretty beefy on my SL1

Sehr gute Qualität, das Objektiv ist super mann merkt nicht das es gebraucht ist. BEI DER ARBEIT MIT DEM OBJEKTIV IST ES ECHT GUT.