Russ Meyer's Lorna

This DVD requires a universal DVD player. This should have been made clear. It wasn't. So the purchase is worthless.

Fellini's "La Dolce Vita" (1961)-was a satire of Roman Catholic Church featuring Anita Ekberg wading in Rome's Trevi Fountain. Russ Meyer's "Lorna"(1964) is the poor man's "La Dolce Vita", thumbing its nose at Bible Belt Southern religion and featuring blonde bombshell Lorna Maitland skinny-dipping and also wading in the water. If Woody Allen is an auteur director--so is Russ Meyer. Russ Meyer makes his world come alive. Thank God.

Lorna is one of the best examples of Russ Meyer's gothic style of film making and a radical departure from his earlier nudie-cuties. In this film Meyer establishes his theme that evil must be punished swiftly and harshly. Meyer himself described the film as "a brutal examination of the important realities of power, prophecy, freedom and justice in our society against a background of violence and lust, where simplicity is only a facade."Lorna (Lorna Maitland) is a sexually unsatisfied young wife married to Jim (James Rucker), who works at a salt mine and spends his evenings studying to become a CPA. When Lorna goes for a nude swim in the river, she is raped by an escaped convict (Mark Bradley), but her frustrated sexuality is awakened. She begins inviting the stranger to her home while Jim is at work.Meanwhile, Jim's co-workers tease him about his wife's beauty and infidelity. One day, Jim returns home early and discovers Lorna's unfaithfulness leading to tragic consequences.Meyer's film is presented on this standard definition DVD with no special features. The picture quality is as good as we are going to get from the source material and there are problems with picture wobble but they are not a great cause of concer, This film marks the beginning of Meyer's black and white gothic period and is well worth checking out.

Anyone who has seen a good number of Russ Meyer films knows that he always ends his movie with a moralistic message of sorts. Always, the message tells the audience that everyone is the wrong, even the protaganist(s). Everyone is concerned fundementally with their own problems and overlook the problems of others, but later those problems will come back and bite them in the butt. Lorna is no exception to this storyline.But speaking about butts... Lorna has a nice one. And that's the point. The other half of the film is about women's bodies, but it's not porn. No, Russ Meyer was a Botticelli of sorts. His art is always an ode to the bodies of woman. His camera doesn't objectify the woman, instead makes her an object of admiration. So, just as Ayn Rand wrote books outlining the perfect man, Russ Meyer makes movies photographing the perfect woman, but alas, she always lives in an imperfect world, where she is always tempted by the lustful desires of both men and women, yet she still stands as a shining beacon of perfection in the often barren and impverished setting.Lorna is a housewife in the middle of nowhere and her naive and oblivious husband can't satisfy her and can't get her out of the country and into the city either. Luther, an amoral co-worker, of her husband Jim insinuates that Lorna is cheating on him. Jim of course refuses to believe him, but at the very same time Lorna gets 'raped' (kind of in an Ayn Rand fashion for those who read The Fountainhead) by an escaped convict. She falls for him because he is able to satisfy her sexually.Lorna is a rather short film (like most Meyer films of that time period), but the story does not require a longer film. Meyer splits his time well between Lorna's body and Jim's cluelessness. And every so often, a Man of God (that's how he is credited at least) corrolates the story with Lot in Sodom, providing an entertainign subtext that is actually well integrated into the story.Just as all Greek mythology is all the same story repeated in different ways, Russ Meyer films take the same themes and reuse them, but Lorna proves to be exceptional in the delivery of that story, making sure that no character is pure evil; it always contrasts the black and white photography with the shades of grey represented in the behavior of the characters. It's a film worth viewing, as it is an archetypical Russ Meyer film, embodying all the aspects of his other films with amazing balance and clarity.

"Lorna" is revolutionary in that it showed full frontal nudity and carried a plot line, Meyer's first film incorporating the two. Originally a nudie film maker, he was clearly infatuated with big breasted women. The lead character (real life stripper, Lorna Maitland) keeps us entertained on the screen with her well endowed figure, despite the slow storyline. Once the story finally kicks into gear developing into its shocking climax, it becomes surpisingly good entertainment. All I can say this was a rather pleasant experience. I've seen Russ Meyer's later videos (B.V.D., Beneath the Valley of the UltraVixens) and was expecting nothing but sex and violence. But after all, this was 1964. Give it a try, if you're not a prude!

Excuse the bad pun of my title, I couldn't help it! Anyway, Russ Meyer was definitely at the top of his game when he was making these "Country Gothic" films. The b&w movies with the zany characters are, to this day, a lesson on how to make a good movie on a low budget. "Lorna" is a simple story of a married, but unhappy "vixen" played be Lorna Maitland, who's acting is certainly not academy material. However, after you see her you'll know why 'ol horny Russ got her to be the lead. This "backwoods" story is fun to watch, but it doesn't come close to matching Meyer's masterpiece, the hilarious "Mudhoney", and of course, "Faster Pussycat, Kill, Kill". As you likely know, Meyer's later movies in colour became downright stupid, as his stories suffered because of his obsession with big breasts. It seems he focused on sex first, then the storyline. Make no mistake, you still had the luscious ladies with the big boobies in these earlier films, but the stories were about the characters first; and what characters they were! One last point about this DVD; the price of this sucker is insane. You're much better off renting it, or taping it off the tube.

belles femmes . c'est marrant.

Meines Erachtens nach, ist Lorna unter meinen Lieblingsfilmen von Russ Meyer. Neben Mudhoney, mit dem eine Art von Diptychon formt, erzählt wie nach der Sünde noch die Erlösung möglich ist. Der Film enthält gewissermassen eine Melancholie, die fast allen anderen Filmen von Russ Meyer fehlt. Es ist nicht viele weibliches Fleisch zu gucken und zur Gegenleistung eine Verinnerlichung in der Protagonistin (ihr Verbrechen besteht darauf, ihr Mann zu betrügen und mit einem kurz von dem Knast geflüchtigten Mann schlafen). Die interessanteste Figur im Film ist endlich der so genannte Mann von Gott, eine Art Prediger, der sich um die Tugend in der fernen Gegend kümmert. Fleisch und Geist, Treue und Treulosigkeit, Liebe und Wollust, alles findet in Lornas Herzen statt.

Sex Schrott von gestern; habe es ja auch schon "vorvorgestern" geordert und mittlerweilen entsorgt.blablablablablablabla bla bla bla bla bla