

English Gothic was the first book to trace the rise and fall of horror cinema from its beginnings in the 1890s right through to the end of the 20th century, encompassing the lost films of the silent era, the Boris Karloff and Bela Lugosi chillers of the 1930s, the lurid classics from Hammer's house of horror and the explicit shockers of the 1970s. Now it comes complete with an assessment of the remarkable renaissance enjoyed by British horror in the 21st century. This deluxe new hardback edition features a comprehensive section on television horror, a foreword by genre star Barbara Shelley and a wealth of new illustrations. Review: Highly recommended for horror fans - If you have any interest in horror films, this is a must buy.Looking back to the early days pre 1900, right up to the present 2015. Rigby divides the book into 7 main chapters focusing each one in year segments, ie chapter 1 1897-1953 right up to chapter 7 2000-2015. The bulk of the book concentrates on what Rigby defines as the peak years for brit horror, the 60's and 70's. The book covers several hundred films, but gives a more detailed critique of the top 100 'major/landmark films' ,all between 1954-75. This is a fine, but it would have been a good idea to perhaps critique another 20 or so in this style up to the present day, maybe a top 20 or so of modern horror.Minor quibble aside, a really enjoyable read with many picts throughout. Particularly like Rigby's writing style, concise with many personal views, all interesting to read. Review: A definitive overview of the subject - Quite simply the most detailed and comprehensive history of British horror films imaginable. The scope is breathtaking, from the early days of silent cinema to this year's (2015) Woman in Black 2. Rigby weaves his insights into a narrative telling the story of horror cinema in these isles, focussing on key films (and not just the obvious ones) on the way. This edition has been updated to cover the mini renaissance of British horror cinema in the new millennium. This new section's interest is slightly marred by the mixed quality of the films released in this period, but their coverage ensures the definitiveness of the work. Two appendices are added, one capturing the marginal cases not covered in the main text and another explores TV's small screen chillers. An engrossing read for the connoisseur and a great overview for those wishing to delve deeper into our Gothic cinematic heritage.
| Best Sellers Rank | 1,206,765 in Books ( See Top 100 in Books ) 568 in Horror Films 878 in Film Reference 1,078 in Film Guides & Reviews |
| Customer Reviews | 4.8 out of 5 stars 124 Reviews |
D**N
Highly recommended for horror fans
If you have any interest in horror films, this is a must buy.Looking back to the early days pre 1900, right up to the present 2015. Rigby divides the book into 7 main chapters focusing each one in year segments, ie chapter 1 1897-1953 right up to chapter 7 2000-2015. The bulk of the book concentrates on what Rigby defines as the peak years for brit horror, the 60's and 70's. The book covers several hundred films, but gives a more detailed critique of the top 100 'major/landmark films' ,all between 1954-75. This is a fine, but it would have been a good idea to perhaps critique another 20 or so in this style up to the present day, maybe a top 20 or so of modern horror.Minor quibble aside, a really enjoyable read with many picts throughout. Particularly like Rigby's writing style, concise with many personal views, all interesting to read.
M**D
A definitive overview of the subject
Quite simply the most detailed and comprehensive history of British horror films imaginable. The scope is breathtaking, from the early days of silent cinema to this year's (2015) Woman in Black 2. Rigby weaves his insights into a narrative telling the story of horror cinema in these isles, focussing on key films (and not just the obvious ones) on the way. This edition has been updated to cover the mini renaissance of British horror cinema in the new millennium. This new section's interest is slightly marred by the mixed quality of the films released in this period, but their coverage ensures the definitiveness of the work. Two appendices are added, one capturing the marginal cases not covered in the main text and another explores TV's small screen chillers. An engrossing read for the connoisseur and a great overview for those wishing to delve deeper into our Gothic cinematic heritage.
B**E
Nice. Concise. Great Price.
Best overview of British horror films I have ever read. I cannot praise this book enough, so I won't bother trying. Want to know anything about British horror? Buy this book. Very nicely laid out and easy to read. Brilliant. Before you ask, I have never met the author and I do not work for the publisher. It's just that I have been waiting for a book like this for, well, always.
S**N
English Gothic
Another good book by Rigby although I do not like people giving their opinions on films as they very often do not agree with mine. The last chapter on very recent movies included many films I have never heard of and probably will only possibly only see on the Horror Channel.
G**R
Excellent
Absorbing, thorough, an entertaining read - many call this book definitive on British Horror, and I'm not going to disagree.
D**A
Horror books don't get any better!
Only just received this book yesterday but already well into Chapter 3. Brilliantly written with in-depth reviews of classic British horror films as well as a detailed history of the British horror film from the late nineteenth century right up to 2015. A one stop shop for any horror enthusiastic - superb!
S**E
Worth It At Any Price
If you had to live on a desert island with only one book about English horror cinema (and TV), this is the one you take. Mr Rigby hits it on all levels. He is erudite without being pretentious. He goes directly to the point, straightening out vague concepts championed by other authors such as David Pirie. He is always firm but fair in his analysis. Highly recommended.
A**R
English Gothic: classic horror cinema.
This was an excellent account of British classic horror cinema, covering the period from 1897-2015. This new revised edition following the 1st one of 2000, now included a comprehensive section on TV horror, detailed source notes, & a valuable film title index.
G**A
Another great read from Jonathan Rigby!
Having ravenously consumed Rigby's book 'American Gothic', I'm now immersed in his companion volume, 'English Gothic'. It's the most authoritative and comprehensive book on the subject of British horror cinema that I've come across. Highly recommended!
C**S
2015 edition
This review pertains to the 2015 edition. As it start with the silent era and ends with 2015, there is no way that I can possibly merely list what this book covers, i will note that not all of the monochrome and color movie stills and posters are retained from the first edition, which is a shame as a few of both are rarely seen in book form. Still, this edition does have rare stills for Ultus, the Man from the Dead (1915), Sweeney Todd (1928), They Drive by Night (1939), Gaslight (1940), Latin Quarter (1945), Daughter of Darkness (1947) and The Queen of Spades (1944). Key titles, not all of which are well known, get special side bars.
R**L
A THOROUGHLY RESEARCHED CELEBRATION OF THE HORROR FILM!
For horror film buffs, this book is a real treat! It is thoroughly researched and clearly written from the perspective of a genuine fan of the genre. My only caveat is that (for us elder statesmen) the print is often VERY small.]
R**R
Beautiful book both in its prose
Beautiful book both in its prose, images and information. Buy with Euro Gothic and American Gothic by the same author.
J**A
Very good but reads more like a critical study of art
I don't post a lot of reviews for books like I do with movies. I'm giving this 4 stars but with reservations. I really wanted to give it 3. I own plenty of books on horror and science fiction films. The book is very well put together and has a lot of facts. In that sense it is a 5 star book. My problem with it is the way the author expresses himself. I feel like that every review by the author is that of an art critic viewing art. If you ever listened to a group of art critics expressing themselves about a painting then you will know what I am talking about. It's gets to be a boring read. It's not really a critical review the way you normally see movies being criticized. On the other hand if you like that sort of expressiveness....well then this book is for you. The author is obviously an intellectual and well-read and that is a good thing. But if you want something more down to earth then go elsewhere.
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