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The Rover and Other Plays (Oxford World's Classics)
J**N
it was good for my class
class
D**N
Good grief. Of course it's splendid
It's Aphra Behn. Good grief. Of course it's splendid! Better critics than I have raved appropriately about her plays. I don't like the book's binding as it's hard to keep the book open flat on a table without risking breaking its spine. A problem with this Oxford World Classic series.
A**R
Confusing
The book came in perfect condition. The plot was confusing, so give it your complete attention when you read this.
C**D
Great text, frustrating format.
The text is fabulous. Providing access to an underappreciated female writer is desperately needed. The modernized spelling is wonderfully accessible. But using endnotes rather than footnotes to explain all unusual words, references, etc. is unbelievably frustrating. And not even endnotes after each play - endnotes at the end of the book! I am dizzy from flipping back and forth several times each page to the end of the book.
R**N
A good read for English literature buffs
Excellent collection of Behn's 18th century English plays!
A**A
A brilliant play
I would recommend it to every person studying English Literature - as I am doing- and simply to anyone who wants to enjoy a great play.
W**S
Five Stars
Feminists ... She is a founder
K**H
For College....
Needed this play for a class in college, and ordered. It arrived within a week, and was in great condition.
R**A
Rakes, courtesans and gallant lovers
Aphra Behn is often lauded as the first professional woman writer but there is already something which we might recognise as a `female tradition' of writing by the time she is born in 1640. That said, writing for a public was still regarded as putting oneself in public circulation (something which many aristocratic male writers like Philip Sidney and, closer to Behn's time, Rochester deemed beneath them) thus making a slippage between female writing and prostitution all too easy. That Behn went ahead anyway is partly due to economic necessity but it also means that her plays are in constant dialogue with those of male Restoration playwrights.The highlight of this collection which gives us four of Behn's plays is The Rover (1677). Rochester, the most notorious rake of Charles II's court, serves as the model for Willmore (a play on Rochester's surname, Wilmot), but the text takes a revisionary view of what it might mean to be a rake or, indeed, the female object of a rake's desire. Behn's play is witty and bright, but also offers a transgressive view of gender relations (permittable in the theatre - already a subversive space) and puts female desire at the heart of the text.The three other plays are from a later period in Behn's life and don't have quite the same buoyancy and sparkle about them. The introduction is brief though pertinent, and the glossary and notes helpful. Recommended.
A**D
4 Stars...
Read this for my Uni course, a great play and very funny in parts, enjoyed reading it from the start until the end! :)
A**A
Fürs Studium
Ich habe mir dieses Buch für mein Studium gekauft. Das Buch an sich ist top, wie bei allen World Classics. Das Werk von Behn ist oftmals schwer zu lesen, aber trotzdem ist sie wunderbar. Nicht abschrecken lassen.
C**E
Util sobre todo para principiantes
Una edición muy buena sobre todo para principiantes. Las anotaciones que incluye ayudan bastante a la comprensión del texto y el resto de información que ofrece es bastante detallada y completa.
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