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🎼 Unlock your virtuoso potential, one keystroke at a time!
Hanon's The Virtuoso Pianist offers 60 progressive piano exercises across 120 pages, designed to develop finger strength, independence, and agility. Ideal for intermediate to advanced players, this century-old method enhances precision, speed, and control through structured daily practice. Trusted by teachers and loved by students, it’s a timeless resource that transforms technical skill into confident, expressive performance.





| Best Sellers Rank | #3,280 in Books ( See Top 100 in Books ) #1 in Opera & Classical Songbooks #1 in Music Exercises #9 in Piano & Keyboards |
| Customer Reviews | 4.8 out of 5 stars 5,481 Reviews |
W**1
Well Worth The Time & Effort
Regardless of the skill level you're hoping to attain, these exercises will be a great help. Although the book is titled, "The Virtuoso Pianist," you don't have to be a virtuoso to benefit from it. Some of the drills are designed to increase the strength in the 4th & 5th fingers which are naturally weaker than the 1st, 2nd & 3rd. Others are designed to stretch the fingers - which is necessary, even for playing popular tunes where the bass involves broken chords with notes that are far apart. The metronome numbers are provided from slow to fast so speed & dexterity can be built up gradually. Also included are useful suggestions - like lifting the fingers as high as possible & playing each note with distinction. I recently started playing again after 42 years. When I started, I couldn't play anything-not even two or three notes together; I had lost all the coordination & dexterity. This was the first music I purchased, having remembered it as a child "prodigy." Within a couple of weeks of completing only half of this book, I was able to resume playing my favorite Bach Preludes & Fugues & Inventions at full tempo. I stopped playing the Hanon Exercises to spend more time learning new compositions but I noted I lacked the dexterity for the more difficult pieces. After resuming the Hanon Exercises, I was able to play one of my favorite pieces at tempo: "Flight of the Bumblebee." I've learned that even if you want to play Nocturnes, Mendelsohn's "Songs Without Words" & other quieter pieces that don't require much dexterity, you need finger strength to control the dynamics & bring out the main themes of the music. In many compositions, the main theme involves the weakest fingers (3rd, 4th & 5th) & many of these exercises are designed to strengthen those fingers. Try playing the middle section of Rachmaninoff's C-Sharp Minor Prelude with a weak pinkie. Impossible...that's the finger that carries most of the melody. I couldn't bring out the melody until I practiced the Hanon Exercises for several weeks. I learned how important stretching the fingers was when I started learning Liszt's "Liebestraum" & Rachmaninoff's Prelude. Both composers had huge hands & they wrote music for THEIR hands, not normal-sized ones. Before resuming the Hanon Exercises, my hands would be too tired & painful halfway through a piece & the second half wouldn't be well played. And, I'd need to rest my hands before trying to play another piece. Not any more! These exercises reminded me of "The Karate Kid" when the kid was bored & tired because his teacher had him wax cars & paint fences ("Wax on...Wax Off...Wax On...Wax Off.") He was benefitting a great deal & not realizing it.
K**I
Weirdly, i love this book
I know this is a book of just repetitive highly technical exercises, but somehow I'm really enjoying it. Something about the repetition feels incredibly relaxing, and I often practice this while watching netflix. I forgot which of the pianists (Liszt?) but there was a guy who used to practice these types of technical exercises while reading a book - that's basically me, but with youtube/netflix. I'm one of those people who don't feel satisfied doing just one thing at a time - it feels wasteful, especially if it's stuff like "watching" something, or only doing something with my hand. If my hands are busy, my brain/eyes need to be busy too, and vice versa. For that reason, Hanon exercises are awesome. The patterns are (so far, only on exercise 6) relatively simple, and it's just a pattern that you play up and down the piano. Once your fingers "get" the pattern, your brain basically goes into this like, floaty place where i just feel really chillaxed. To keep my brain occupied (and stop staring at my hands/keys), i put youtube or netflix/prime video on, and watch/half watch stuff. the book itself is really nice as well for so cheap. the notes ARE small - actually they're pretty much standard, but i think what makes it feel even smaller/so much more cramped is that there are just sooooooo many notes on a single page. The printing seems fine to me though, i don't find it as if it's been photocopied way too many times. I mean seriously, for $6.xx for such a thorough book is an awesome price. And i like that it'll basically last me forever - i expect to be using this for a long long time, regardless of my piano skills. this book is helping me feel motivated to actually practice. the idea of doing the exercises (and being able to just switch off my brain for a while), is such a nice thought that i'd be super willing to get cracking on my practice. As much as I love learning new songs (videogame music!), what's more daunting is having to read music sheets and trying to learn a new piece, as that can be so frustrating. Being able to start with Hanon exercises first kinda downplay the nerves and irritation of not being able to play the actual music right (and i know for real music sheets, it is SUPPOSED to take a while to learn, which i understand, but that frustration is hard to handle. Hanon, since it's not actually hard in a musical-sheet-reading type of way, lets me feel accomplished first).
B**Z
A timeless piano practice classic, still essential today
I was very happy to find this exercise book from my youth again. Hanon: The Virtuoso Pianist remains a fundamental resource for pianists who want to build strength, control, and independence in their hands. The book offers plenty of progressive exercises that are excellent for developing finger strength, agility, and endurance. It’s ideal for daily technical practice and works just as well for beginners as for more advanced players revisiting their fundamentals. This is truly a must-have in any pianist’s library. The only minor downside is that the paper quality feels lighter than it used to be compared to older editions, but this doesn’t affect the content or usability. Overall, this book is as relevant and effective today as it ever was.
A**T
Basic Good-To-Have
IMO absolute essential for beginners and above. ‘Can’t imagine most teachers not prescribing it for their students. The exercises are a great way to start a practice session.
Z**H
Finger gymnastics.
Far harder out the gate than expected. But, great exercises nonetheless!
B**E
How do you review a staple?
Chances are if you've taken piano lessons, you've come across this book at some point. Just to be different, I'll explain this book to you by age: Under 10: So many notes. So boring. Very chance of wrist injury. This book is premature for a little kid unless they want a reference for scales. If you practice daily or even a few times a week, with a few scales here and there, chances are your hands are in good enough shape that you don't really need this book. 10-14: Time to separate the wheat from the chaff! Now that you can read music really well, you can focus on the techniques in the book. You should be able to understand what each exercise is trying to improve, instead of fixating on getting the notes right. This will help you get to a higher level if you can read music well and want your playing to sound better. 14-18: You should get this book if you're looking to take music exams or study music in university, OR you want to spite your piano teacher's stupid jerky student that plays sonatinas really well or shows great agility in his or her technique. Or if you want to date someone that's really impressed by arpeggios. Otherwise, don't torment yourself and go play something enjoyable instead. You will eventually learn to love some of the genres (jazz, baroque, contemporary) that your teachers made you learn, but you will never come to love this book. 18+: If you've been out of lessons for a few years and are getting back into piano, it's worth picking this up to speed up your transition back into playing regularly. It will help if you can tell that you don't sound as good as you used to.
K**S
Nice book
Lost my original book! Found it!
O**O
Excelente
Excelente
M**S
Practico
muy bueno
A**T
Très bien
Superbe édition
R**A
Satisfação
Fiquei admirada ao ver como o livro foi cuidadosamente embalado. Material usado resistente. O livro chegou em perfeito estado! Obrigada.
P**S
Love it, pianist must have
It's perfect for daily practice, it helps with my advanced training, this is all time classic
G**O
安い!
日本語版の半額ですので英語を読める人にはオススメです。
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