Heart Full of Soul--The Motown Anthology Set

I didn't really expect much when I saw this being offered out of the catalog. I've heard her sing a couple of songs with Edwin Starr and wasn't very impressed by their collaboration. This collection is so much superior to that earlier work. Glad I bought it!!!!

Love this. I find it amazing of the things emerging from Motown’s vault.

Sondra "Blinky" Williams may be simultaneously one of the most obscure soul singers of her era, and one of the most widely heard. “Obscure,” because Motown’s hit-seeking radar somehow missed the brilliance in the dozens of tracks they recorded on Williams and then buried in their vault. “Widely heard,” because Williams was heard by millions of television viewers each week as Jim Gilstrap’s duet partner on the theme song to Good Times. The daughter of a baptist minister, Williams grew up singing, directing and playing piano in church choirs. She performed with Andraé Crouch, Billy Preston and Edna Wright in the Cogic Singers, releasing several records on the Simpson and Exodus labels, but solo contracts pulled the group apart, with Williams recording an album for Atlantic.Williams had previously crossed into secular music with a 1963 single (and a flip) under the nom de record “Lindy Adams,” and a 1964 single for Vee Jay that backed the spiritual “He’s Got the Whole World in his Hands” with “Heartaches.” She landed at Motown in 1968 under her high school nickname, Blinky, and debuted with the Ashford & Simpson-penned “I Wouldn’t Change the Man He Is.” An album of duets with Edwin Starr followed in 1969, along with three more singles (one on Motown, and two on the label’s west coast imprint, Mowest), but despite opening for the Temptations and a spot in the Motortown Revue, the lack of a concerted promotional push left all of the releases to founder commercially.Had this been the extent of Williams’ engagement with Motown, she might have been collected only by crate diggers, and remembered as a talent whose intersection with the label was artistically fruitful but commercially bare. What distinguishes Williams from other Motown shoulda-beens is the large number of finished, unreleased sides that were left in the vault alongside fascinating working tracks and live material. Motown rolled a lot of tape on someone they couldn’t (or more likely just didn’t) break, and the fervor of her fans (who mounted a now-successful “Free Blinky from the Vaults” campaign) reflects the riches that she recorded, rather than the limited sides that Motown actually released.The two-disc set opens with Williams’ unreleased album Sunny & Warm, immediately provoking the question of what else Motown had going on that led them to leave this in the vault. To be fair to Motown, Williams’ album was slotted between Diana Ross’ eponymous 1970 solo debut, and the Jackson 5’s Christmas album, so Motown’s promotions staff was certainly busy. If it’s any consolation to Williams, Jimmy and David Ruffin’s I Am My Brother’s Keeper was in the same spot, though released on the subsidiary Soul label. Sunny & Warm opens with the single “I Wouldn’t Change the Man He Is” (which Williams can be seen performing on Chuck Johnson’s Soul Time USA), and features a new interpretation of Fontella Bass’ “Rescue Me,” produced by the song’s co-writer, Raynard Miner. Clay McMurray produced the gratified “This Man of Mine” and the questioning “Is There a Place,” and Ashford and Simpson’s “How Ya Gonna Keep It” (backed with a stunning, deep soul cover of Jimmy Webb’s “This Time Last Summer”) was slated to be the next single.And then… nothing. No album, and no explanation. Williams kept plugging away, making a connection with Sammy Davis Jr., and touring with him while continuing to record for Motown. Disc one fleshes out the unreleased album with the singles Motown and Mowest released in 1972-73, live material (including a previously unreleased performance of “God Bless the Child”) from the Motortown Revue, and several tracks from anthologies and soundtracks that include a studio take of “God Bless the Child” that was released on 1971’s Rock Gospel - The Key To The Kingdom, and a commanding performance of the early blues “T’Ain’t Nobody’s Bizness If I Do” from Lady Sings the Blues.The set’s second disc includes twenty-two previously unreleased tracks recorded with a variety of Motown producers, including label material and covers. Among the latter is an original soul arrangement of Graham Gouldman’s “Heart Full of Soul,” and a thoughtful, extended cover of the Stylistics “People Make the World Go Round.” A few of the tracks are mastered with control room slates or musician count-ins, giving them the aura of work-in-process, but these are finished pieces that offer performances, arrangements and sound that are all up to Motown’s standards. Why were they left in the vault? Perhaps Williams’ gospel roots were too soulful for the pop-leaning Motown, but more likely she was a victim of the sheer volume of material that the well-oiled Motown machine could produce. Motown’s investment may not have yielded commercial returns, but the artistry of these sides is undeniable, and freed from the vault, they’re finally available for Williams’ longtime devotees to enjoy. [©2019 Hyperbolium]

Love the Motown rare gems

Great talent underrated from the Motown catalogue! I’ve been enjoying Ms. Williams!

Outstanding Motown by Blinky containing previously unreleased tracks over 2 CDs. Hard to understand why these tracks lay in the vaults for so long. Very talented lady.

product arrived in good condition and as described

An intriguing compilation of mostly unreleased tracks by a very, very good, gospel-trained, singer. Great research done into this by Real Gone Music. For me the most interesting vocal tracks are on the 2nd CD, where she sound much more vocally free, but I don't know why ... because she worked with many of the same producers on the first part of the CD. "Inside" is just fabulous - never heard this before. But there is SO much more more to hear and revel in. Her version of "Fool On The Hill" is much better than Aretha Franklin's (on an unreleased and unissued CD) - I don't like the song - but here it works well. But it definitely isn't the best track here, by no means! The Ashford and Simpson tracks are, of course, fantastic, and the first pre-dates Diana Ross's version ... I do like her take on Willie Hutch's "I'll Make It Up To You", great vocal, which should be on one of David Godin's Deep Soul Treasures compilations (buy them if you haven't!). I'm glad that she didn't end up recording "If I Were Your Woman" because I love, adore Gladys Knight's take on the song, as with "Is There A Place In Your Heart", which appears here. A bit too Diana Ross for me ... who of course recorded in 1970 Binky's original version of "I Wouldn't Change The Man He Is", but the live version from the Motortown Revue recordings by Binky is even better!! There is so much good stuff on this compilation of woefully neglected recordings, including a stomping version of "Money [That's What I Want]" and a great track with Earl Gaines "What More Can I Do?" I could have done without her versions of "For Once In My Life" (confession, I love Gladys Knight's version) and "Rescue Me" (doesn't add anything) but these are minor quibbles. There is so much original, interesting stuff on Disc 2 of this reissue. And so finally ... it is amazing that the Stylistic's "People Make The World Go Round" has now become a much recorded song, mostly by brilliant jazz female vocalists such as Dee Dee Bridgewater, Angela Bofill, Jazzmeia Horn and quite a few more, but this is an very early interpretation; I just wish people would now sing "trash man on strike because they want more pay" to "trash man on strike because they NEED more pay"!! Leaving that aside, Blink's version is marvellous. Highly recommended purchase!!

wonderful cd set good booklet which is nice to see lots of info some wonderful tracks and what a voice so got lost in the Motown machine which is a shame.it's taken sometime to get this many years of campaigning on Motown forums which I'm glad as paid offas I'm a very and mean very big Motown fan this is most welcome to my collection I will enjoy and understand the tracks as I'm now in lockdown so I have the time, buy this cd it is a delight......

I’ve wanted this for such a long time ,but I didn’t think much of it when played although a good voice(who wasn’t on Motown)I’m sorry to say I love all Motown but not certain about this cd and it’s on Motown OMG.