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A study of the mystical, spiritual, and profound visionary wisdom contained in Shakespeareโs plays โข Reveals the significant mystical symbolism in ten of Shakespeareโs later, more mature, works including Hamlet, Macbeth , and The Tempest โข Shows the progress of Shakespeareโs own spiritual development through comparison of his earlier and later plays The plays of William Shakespeare are considered among the greatest dramatic works ever written because they transcend both age and time in the truths they convey about human nature. But Shakespeareโs plays, argues author Martin Lings, concern far more than the workings of the human psyche; they are sacred, visionary works that, through the use of esoteric symbol and form, mirror the inner drama of the journey of all souls. In Shakespeareโs Window into the Soul , Martin Lings provides an in-depth study of Shakespeareโs later, more mature plays, such as Hamlet, Macbeth, King Lear , and The Tempest . By revealing the mystical meaning of these works, Lings not only conveys the dramatic artistry of these masterpieces, but also leaves readers with a deep and lasting impression of the playwright himself and his keen understanding of the passage the soul must make to reach its final sacred union with the divine. Review: Very satisfied - Book received very quickly and is in excellent condition. Review: Shakespeare the Sage - It is extraordinary that almost four hundred years after his death, the works of William Shakespeare continue to teach, inspire and enrich both the heart and the mind. In this intriguing book, Martin Lings provides us with a great deal of evidence that some of the later plays of Shakespeare, including Hamlet, Macbeth, King Lear, Cymbeline and the Tempest, are also food for the soul. He makes a strong argument that these were sacred, visionary, even mystical works that used esoteric symbols and forms to reflect and reveal an inner drama: the journey of the human soul. The author of this intriguing book was an interesting and accomplished individual who passed away in 2005. Born in Manchester, England in 1909, in his lifetime he traveled widely, was a lifelong student of Frithjof Schuon, converted to Islam and became a Sufi. He taught at several European universities as well as the University of Cairo. He was the keeper of Oriental manuscripts in the British Museum and the British library and wrote a great many original books about religion and spirituality. This is one of his best, and it is quite an endorsement that H.R.H. The Prince of Wales consented to provide a foreword. Lings reveals some of the mystical meanings of the plays, as only a practicing mystic could. I thought that I knew the plays quite well, but he certainly led me to see them with fresh eyes. Many years ago I had a teacher who told me that the works of Shakespeare were some of the greatest spiritual teachings. It took me thirty years to discover that he was probably correct! We are sometimes all guilty of projection: of seeing things that we wish were there, but in reality are not. So was Martin Lings projecting onto the plays? I do not think so. There is increasing evidence that Shakespeare had access to an extraordinarily rich vein of knowledge and insights. Hence the continuing debates about the authorship of the plays. This book is an interesting complement to Arthur Versluis' work Shakespeare the Magus , in which Versluis shows how ideas about the nature of good and evil, astrology, herbalism and ideas about magic are all woven into the fabric of some of Shakespeare's later plays. This book will probably be a little too esoteric for some scholars of Shakespeare, but for people on the spiritual path, the book contains a great deal of valuable material, and for them I warmly recommend it.
| Best Sellers Rank | #1,263,510 in Books ( See Top 100 in Books ) #530 in Shakespeare Literary Criticism #2,972 in New Age Mysticism (Books) #5,847 in Literary Genre History & Criticism |
| Customer Reviews | 4.9 out of 5 stars 12 Reviews |
L**P
Very satisfied
Book received very quickly and is in excellent condition.
D**Y
Shakespeare the Sage
It is extraordinary that almost four hundred years after his death, the works of William Shakespeare continue to teach, inspire and enrich both the heart and the mind. In this intriguing book, Martin Lings provides us with a great deal of evidence that some of the later plays of Shakespeare, including Hamlet, Macbeth, King Lear, Cymbeline and the Tempest, are also food for the soul. He makes a strong argument that these were sacred, visionary, even mystical works that used esoteric symbols and forms to reflect and reveal an inner drama: the journey of the human soul. The author of this intriguing book was an interesting and accomplished individual who passed away in 2005. Born in Manchester, England in 1909, in his lifetime he traveled widely, was a lifelong student of Frithjof Schuon, converted to Islam and became a Sufi. He taught at several European universities as well as the University of Cairo. He was the keeper of Oriental manuscripts in the British Museum and the British library and wrote a great many original books about religion and spirituality. This is one of his best, and it is quite an endorsement that H.R.H. The Prince of Wales consented to provide a foreword. Lings reveals some of the mystical meanings of the plays, as only a practicing mystic could. I thought that I knew the plays quite well, but he certainly led me to see them with fresh eyes. Many years ago I had a teacher who told me that the works of Shakespeare were some of the greatest spiritual teachings. It took me thirty years to discover that he was probably correct! We are sometimes all guilty of projection: of seeing things that we wish were there, but in reality are not. So was Martin Lings projecting onto the plays? I do not think so. There is increasing evidence that Shakespeare had access to an extraordinarily rich vein of knowledge and insights. Hence the continuing debates about the authorship of the plays. This book is an interesting complement to Arthur Versluis' work Shakespeare the Magus , in which Versluis shows how ideas about the nature of good and evil, astrology, herbalism and ideas about magic are all woven into the fabric of some of Shakespeare's later plays. This book will probably be a little too esoteric for some scholars of Shakespeare, but for people on the spiritual path, the book contains a great deal of valuable material, and for them I warmly recommend it.
S**I
Five Stars
Excellent
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