Richard Strauss - Salome / Petr Weigl, Giuseppe Sinopoli - Malfitano, Estes, Rysanek, Bieber - Berlin Deutsche Oper [VHS]

In reading recommendations for introducting people to opera, I have yet to see anyone mention Richard Strauss' 1905 masterpiece "Salome." People usually suggest something by Verdi, Puccini, or Bizet's "Carmen." I guess the old stereotype of German opera as being "too heavy" for most people still seems pervasive. In my opinion, however, "Salome" provides the perfect introduction to opera. Approximately the same length as a standard feature film (and with excellent pacing compacted into one act), it contains may elements that would appeal to contemporary sensibilities: erotic matters (Yes, there was sex in 1905; my grandmother was born that year, after all.), dysfunctional family life (worse than anything the Fox network could conjure up), and so on. As the perfect synthesis of syrupy Romanticism and cold Modernism, the savage violence beneath the sensual tenderness of "Salome" provides listeners with delicious aural pleasures.From the opening's mysterious nocturnal chords to Salome's shattering musical orgasm, this interpretation is a potent listening and viewing experience. Under the direction of Giuseppe Sinopoli, the Orchester der Deutsche Oper Berlin play with red rapture, sighing, moaning, screaming with Salome's ecstasy over the holy man Jochanaan (a.k.a. John the Baptist).Catherine Malfitano ranks with Hildegard Behrens and Teresa Stratas as the best Salome. She does not sing it with the large voice of a Wagnerian soprano, which is not right for the role anyway. As Strauss himself wryly commented, a sixteen year old with the voice of an Isolde would be ideal. (Start working those vocal chords, Brittney.) Simon Estes makes a formidable Jochanaan, and doesn't wander about in the usual camel hair get-up and hokey fake beard associated with the role. Other acting high points include Leonie Rysanek (a former Salome herself) and Horst Hiestermann as Herodias and Herod, Salome's outspoken mother and lecherous stepfather. They provide edgy comic relief, with Herodias making fun of her husband's lust for his stepdaughter, and Herod acting like a pathetic basket case. To paraphrase an erstwhile T-shirt, they put the fun in dysfunctional.Several months ago, I showed this video to an interested, though somewhat skeptical, female companion. She ended up enjoying it very much. I hope that if you try "Salome," it will give you as much pleasure as it gave us.

Esta Salome, junto a la de Maria Ewing es indudablemente una de las obras maestras del canto y de la escenografía. La danza de los siete velos de Maria es insustituible; la de este video es igualmente admirable. Solamente quisiera agregar que lo único malo de este video es ésto, que es un video y no un DVD. Por favor hagan lo imposible para que esta excelente versión de Salome se emitida en un futuro en un DVD. La venta mundial podemos predecir que sería admirable. Esto por supuesto sucede con otras obras maestras, no solamente de R. Strauss sino también de otros grandes compositores, por ejemplo Las Bodas de Figaro con una juvenil Maria Ewing que creo que no está disponible ya. Un DVD de esta ópera maravillosa igualmente tendría venta mundial asegurada. Gracias por su atención y esfuerzos eventuales a estas peticiones. Felicitaciones de paso a Amazon por sus maravillosas disponibilidades.

抽象舞台っぽい装置は斬新で、全編を通じて歌手(特にヨハナーン)が好演でしっかりと聴き応えがあります。有名な「七つのヴェールの踊り」はサロメの精神的な葛藤よりも、狂気と妖艶さに焦点を当てた解釈で、好みが分かれるところでしょう。オーケストラも、シノーポリらしい手慣れた演奏でそつがなく華やかで、安心して聴くことができた。ただ、ベームのような重いドイツワインのような味わいは感じられず、むしろ強いウォッカを口にしたときのような、鮮烈な印象を受けた。ともあれ、非常に興味深く鑑賞できたことはいうまでもない。